Brad Bird’s new movie, Tomorrowland, jut released a trailer at the 2014 New York Comic Con. The clip features Britt Robertson (Under The Dome) picking up her personal effects at a police station (suggesting an unexpected stay at public expense?) when she notices something that’s definitely not hers.
Written by Damon Lindelof, Tomorrowland stars also George Clooney. Check out the curious and intriguing trailer after the jump. Tomorrowland will be in theaters on May 22, 2015.
What happens after two percent of the word’s population – 140 million people – just disappears? HBO has released the first teaser for the the new Damon Lindelof series, The Leftovers. Check it out after the jump.
After ten-and-a-half months, Lost returned with its final season premiere, a two-hour premiere called LA X, last night. The final Lost recap, in a stroke of genius, was narrated by Michael [Ben Linus] Emerson and tracked the individual character arcs of the main cast members – an approach that was unique for these things – and set the tone for a most unusual beginning to Lost’s end. I have no idea how many theories were rendered invalid last night, or how many fans were thrilled or ticked off, but no can say the answers didn’t begin with a couple of big bangs!
No, I haven’t seen anything more than the almost new footage-free spots that ABC has been airing for the much anticipated final season premiere of Lost [ABC, 9/8C – Recap at 8/7C] – or the collections of soundbites from the cast members – all content-free but talking about such things as the show’s legacy and their places within it. And no, you’ll probably still be a bit confused afterwards, but we are promised that answers will be coming beginning with LA X, so we’ll see…
I do know that a few of the twelve thousand [12,000!] fan who traveled from around the world to attend the last Sunset on the Beach screening of the premiere have posted shaky, cell phone cam recordings of the premiere and those postings haven’t managed squat in viewings – and a wealth of comments to the effect of, “Why would I want to watch a shaky, cheapo version of this? I’ve waited for almost a year to see what happens next and I’m going to watch it in HD, not your pissy little video!”
Network suits everywhere are astounded!
Tomorrow, I’ll post my reaction to LA X, the two-hour premiere of the final season of Lost.
Losties rejoice! ABC has announced that the last leg of the epic saga of Lost will premiere on Tuesday, February 2nd, 2010.
While keeping episode details close to the vest, the network says that Lost’s final season will get underway with an evening-long event – a recap special at 8/7C, followed by the series’ final two-hour season premiere at 9/8C. The series will then move to its regular timeslot, Tuesdays at 9/8C, on February 9th.
Well, sir… Lost [ABC, Wednesdays, 9/8C] is continuing on its roll!
Among other things, we learn that Locke [Terry O’Quinn] was born in March of 1956 – and that ties into Charles Widmore [Alan Dale] in a supremely unexpected manner. It also figures in explaining why Locke was visited by Richard Alpert [Nestor Carbonell] as a child. The more you learn about this show – the more answers you get – the more questions arise.
Take Faraday’s mother… please! If you can find her… And just wait until you meet a certain member of Desmond’s family! And speaking of Faraday [Jeremy Davies], he gets to make a definitive statement – though not about the physics of the island [though he also gets to do some actual science stuff, too].
Latin. The dead language plays a role here, too. A small but pivotal part.
Locke’s tracking skills get a workout [see 1956]. We learn more about Faraday’s past [he seems like he’s come a long way from then, but with this show you never know]. Miles [Ken Leung] gets to use his special talent, though it doesn’t seem to help much. As for Charlotte [Rebecca Mader], I refer you back to her nosebleed in the season premiere. We even get a scene that suggests that Charles Widmore actually does care about his daughter, Penny [Sonya Walger]. Then there’s Charlie…
After screening three episodes of Lost, Season Five, I have to say that the pieces of the Cuse/Lindelof mosaic really are falling into place. As the season moves inexorably, but nimbly, towards its conclusion, you can kinda see the outlines within the Big Picture falling into place. Because You Left, The Lie and now, Jughead are all extremely well put together episodes. The scripts have been tight, well-paced and feature that odd mix of character and mythology that differentiates Lost from everything else on television. The direction has been, if anything, even crisper than in the past – these eps haven’t played like the three hours they’ve taken up in our schedules.
Finally, the cast of Lost continues to make us believe in these characters – all of whom are lost in one way or another and seeking to find themselves. It’s really only because of the well-developed characters that we can believe in the mythology of the show. If we didn’t care about Locke, we wouldn’t have been so worried when he faced the Smoke Monster in Season One. If we didn’t care about Faraday and Charlotte [and isn’t amazing how quickly we’ve taken to them?], we wouldn’t be worried about that nosebleed.
As long as the characters remain relatable, and the pace of the revelations [answers should soon begin to outnumber questions, judging by this week’s ep], then the show will continue to hold sway over those of us who still watch [whether in real time, or online, or whatever]. Judging by what I’ve seen so far, there’s a lot of fun/drama/weirdness to come.
I’ve just seen the two-hour premiere of season five of Lost [ABC Wednesdays, 8/7C, beginning on Jan. 21st]. You think it was strange and wild and exhilarating before? Just wait until you see what’s next!
Although my agreement with ABC is that I can’t give away plot points, I can, perhaps, give clues. I can tell you that Vincent’s back – and that Sawyer plays a more prominent role. I can tell you that things have changed between Benjamin Linus [Michael Emerson] and Sayid [Naveen Andrews]; that Hurley [Jorge Garcia] has reached his limit on lying – and that Sayid’s life may depend on him; I can tell you that a potential legal problem may change Kate’s [Evangeline Lilly] and Aaron’s lives, and that Charlotte [Rebecca Mader] may not be well. And speaking of Hurley, remember Dave? And Charlie’s enigmatic appearance at the mental institution [“I’m dead. And I’m here”]? I can safely say that Hurley sees dead people.
There are lots more clues that I could give you in that vein, but when the events to which they allude happen, all that’ll happen is that some answers will be given [like why Hurley finally reaches his limit with The Lie] and more will be asked [like what’s happening to the people who were left on the island]. Even the titles of the two parts of this season’s premiere have titles [Because You Left & The Lie] that are carefully gauged to give hints that spawn unexpected answers and set the stage for more [and possibly bigger] questions. As is always the case with Lost, context is everything.
Carlton Cuse and Damon Lindelof co-wrote Because You Left and Stephen Williams’s direction keeps up a pace that matches that of last season’s three-hour finale. Revelations are given in quick bursts and emotional moments in almost a state suspension – but no scene lasts for more a few moments. The Lie, written by Edward Kitsis and Adam Horowitz and directed by Jack Bender, keeps up that pace, for the most part but lingers a bit more over the key emotional sequences, giving them more heft as the give and take of answers and questions mounts.
I have to say that I enjoyed the season five premiere episodes as much as the three-part season four finale. Everyone we care about gets a choice moment or two and the plot forges onward. The rollercoaster ride that is Lost is definitely maintaining the quality level it regained last season.