What up people! The show that vexes me to no end, The 100 returns to The CW for its 5th outing this week and I have to say the first episode of season 5 made me remember why I used to adore this show. Unfortunately, after the greatness that is episode 1, episode 2 brought me crashing down to earth (see what I did?) and reminded me why the show drives me NUTS. I won’t bore you with the Tedious Plot Summary (TPS) because if you are watching S5, you know the characters already. This review is based on the first 4 episodes and contains minor spoilers. The 100 returns to The CW Network, Tuesday, April 24th.
I don’t talk enough about my love of Freeform (formally ABC Family) – still hate the name change, because I suck and am lazy. It’s my go to channel whenever I want to watch something that’s non-fantasy or super hero related. Well, FreeForm and Investigation Discovery. One of my obsessions last year was FreeForm’s “fantasy” drama Famous in Love. Famous in Love Season 2 returns Wednesday, April 3.
Krypton is the best thing SyFy has done in years. Yes, even better than the Expanse. This is high praise coming from someone who generally claims not to like sequels, while not so secretly I do. Krypton, the 10 episode Maxi series, debuts on SyFy channel this week, Wednesday, March 21, 2018. There’s something about this show that sucked me in almost instantly.
The X-Files (FOX, Wednesdays, 8/7C) returns with a second event series (10 episodes this time) this week, but gets off to a less than brilliant start with My Struggle III.
The fourth season of Black Mirror is now streaming on Netflix and it’s as brilliant as it’s ever been.
The season’s weakest episode, Black Museum, would be considered the best episode of any other anthology series, while the remaining five episodes are quite possibly the best episodes of the series to date (the season as a whole is even stronger than season three – which spawned the Emmy®-winning San Junipero episode).
David Ayer’s Bright is a fantasy buddy cop movie that leaves its audience with more questions than it answers.
The only way a Grant Morrison comic could ever possibly work on television would be if he directly involved – his work is just not in the purview of the average (or even quality) TV writers/producers.
Happy! Was developed by Morrison and Brian Taylor (from the graphic novel by Morrison and Darick Robertson) – who just happens to be one of minds behind the Jason Statham hit Crank. It’s a writing marriage made in every heaven and several of the seven hells.
Things are rapidly coming to a head on Dirk Gently’s Holistic Detective Agency (BBC America, Saturdays, 9/8C) – last week we saw the arrival of the boat in Bergsberg and now we get to see something very special about The Boy. It’s not enough (for us) to put it all together, but it just might be Dirk.
Somehow, the ‘he’s the devil; she’s a cop – together they solve crimes’ basis for FOX’s Lucifer has managed to get well into its third season without showing too many signs of wearing thin.
This week’s episode, ‘Chloe Does Lucifer,’ does show a bit what seems like fraying around the edges before its final scenes show it just ain’t so.
Netflix’s latest Marvel series, The Punisher, is definitely not for the faint of heart. It’s a bloody, gory tale of reawakening and vengeance – in which Frank Castle (Marvel’s answer to Don Pendleton’s Mac Bolan novels) learns that he may have killed off the personnel who murdered his family, but they were just the tip of the proverbial iceberg.
In fact, their deaths came about as a direct result of unsanctioned CIA black ops in Afghanistan – in which Castle played an unwitting part.
The first season of The Good Place was brilliant just as a show about four people who got into The Good Place by mistakes and were trying to become better people to prevent their Neighborhood from falling apart – and then there was that season finale. Michael turned out to be a demon -practicing a new kind of torture.
Season Two seemed like it could present some problems if it ran a variation of that set up -instead, it gave hundreds of variations where Elinor and even Jason at one point figured out they were in The Bad Place.
Now, with the boss having warned Michael (Ted Danson) that reboot 2 (in reality reboot #802) is his last chance – and Janet (D’Arcy Carden) is causing the Neighborhood to glitch because she’s still in love with Jason.