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Amy Adams

Night at the Museum was an unexpected hit in 2006; so naturally, they decided to make a sequel – Battle at the Smithsonian. That’s the bad news. The good news is that the sequel is better than the original.

Museum 2

As with the original, Battle at the Smithsonian exists, primarily, to set up a string of stunts and FX that will dazzle and amaze, while a small group of characters [most of whom are statues come to life] get a chance to play hero. The plot finds Larry Daley [Ben Stiller] in a good place as the inventor/head of Daley Devices [“Glow in the Dark Flashlight is one of mine,” he says with a certain amount of pride]. Business is good; Larry is now filthy, stinking well-off – and he just might have a deal in the works with Wal-Mart. But is he happy?

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A few years following Larry Daley’s (Ben Stiller) first adventure as night watchman in New York City’s Museum of Natural History, Daley discovers that his friends, the exhibits which come to life, are now being shipped to the Smithsonian museums in Washington, D.C.  Upon arrival however, Daley’s old compatriots now find themselves battling against a whole slew of new, evil exhibits bent on conquering the world.

When the first Night at the Museum was released, I thought it looked a little silly to even be fun. Eventually when I rented it, I was pleasantly surprised by its charm. Battle of the Smithsonian definitely continues in this tradition and if anything, takes the creativity to new enjoyable places.
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Night at the Museum: Battle of the Smithsonian World Premiere

In 2006, moviegoers around the world followed a newly recruited night security guard as he experience the American Museum of Natural History in NYC for just one night. He discovers an ancient curse that causes the museum’s exhibits to come to life and giving the guard a night he’ll never forget. Based on a 1993 children’s book by Milan Trenc, Night at the Museum raked in over $250 million at the box office and increased the visitors of the Museum of Natural History by nearly 20%.

Nearly three years later, we are once again following the adventures of Larry Daley for another night at the museum. This time, we head down to the mother of all museums: the Smithsonian in our Nation’s Capital. What better way to celebrate Night at the Museum: Battle of the Smithsonian then to have the World Premiere of the film at the National Air & Space Museum. Fans and unexpected museum patrons gathered around the entrance on Jefferson Avenue of the National Air & Space Museum to get their taste of Hollywood in DC. Among the cast in attendance are Ben Stiller, Amy Adams, Owen Wilson, Ricky Gervais, Robin Williams, and more. This was the first film to be actually shot at the Smithsonian Institution. I have a feeling that the after moviegoers watch the sequel, the Smithsonian’s attendace will go up. I had the pleasure to meet the cast and crew on Thursday to ask about their experiences making this film.

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Hollywood has come to Washington D.C., as Night at the Museum: Battle of the Smithsonian, the sequel to the 2006 family hit movie debuts in the museum’s backyard. Since most of the action takes place in and around the famed exhibits surrounding the National Mall, the cast and crew decided to come promote the film by holding a press conference in the Smithsonian Castle.

Sitting before me was a star-studded lineup including: Ben Stiller, Amy Adams, Owen Wilson, Robin Williams, Rick Gervais, Hank Azaria, director Shawn Levy and writers Robert Ben Garant and Thomas Lennon.

Stiller started things off by talking a little bit about his character of Larry, and how it felt like the right time to revisit the series. He mentioned how Larry is no longer really happy in his life, and he finds himself needing that bit of adventure back, which is what launches the story.

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Sunshine Cleaning, which opened wide this weekend, is a quirky, entertaining dramedy that mines the same kind of vibe that propelled Little Miss Sunshine to hit status. It’s about pursuing a dream even though it would have appeared that it was too late. It features a very familiar performance from Alan Arkin as Joe, the eccentric father to sisters Rose [Amy Adams] and Norah [Emily Blunt], and grandfather to Rose’s equally eccentric young son, Oscar [Jason Spevak].

(Left to right.) Amy Adams and Emily Blunt star in Overture Films' Sunshine Cleaning.

Rose works for a home cleaning company [a kind of maids-on-wheels gig], but was once the captain of the cheerleading squad and girlfriend of the quarterback. She’s still the girlfriend of the quarterback, Mac [Steve Zahn], a married police detective], but that’s the only thing her life has in common with her younger self. This is not where she thought she’d be – something that being invited to a baby shower for a former fellow cheerleader drives home.

Norah was probably the class clown until she dropped out and began a series of wage-slave jobs. Where Norah is responsible and maybe more than a bit worn down, Norah still acts like she’s in high school. We meet her as she gets fired from yet another job.

When Mac suggests that Rose get involved the lucrative crime scene cleanup game, she takes the idea and runs with it – dragging Norah along with her. Working together has opposite effects on the sisters: Rose really gets into it, learning everything she can about the job – and excelling at it [plus, she believes it makes things better in some small way]; Norah, who really needs a handler at all times, is easily distracted and not really interested – a combination that brings about some really bad results. Since Rose needs the money to get Oscar into a private school, where he can get the kind of attention an eccentric kid like him needs, this drives a huge wedge between her and Norah. Meanwhile, Joe is trying various get-rich-quick schemes with little to no success.

Sunshine Cleaning is not the next Little Miss Sunshine, but that’s okay. It is a witty dramedy that gives us interesting characters who react to their circumstances in very real ways. The script, by Megan Holley, is rich enough in terms of both characters and situation that it feels real and we can easily relate to them. Director Christine Jeffs draws a solid performance from her cast, but I doubt that Amy Adams and Emily Blunt are even capable of turning a bad performance. Where Jeffs’ skill shows, is in her work with young Jason Spevak. Oscar could have been just another precocious kid, but he’s not – in a world of precocious kid actors, Spevak is intriguingly fresh. He cloaks his character’s intelligence within his eccentricities in a way that really does make Oscar unique.

If Sunshine Cleaning doesn’t quite hit all the heights to which it aspires, it still has enough wit and intelligence and warmth to balance its darker moments [and there are a number of them, right from the fade in]. It is a solid, entertaining film.

Final Grade: B+

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With “Awards Season” in full swing, we come to my favorite awards show to watch – The Golden Globes [the Globes' new look featured, above]. Where else can you see an award winner rush from the little girls’ room to the stage, trailing a piece of toilet paper from her shoe [Christine Lahti, you are immortal because of this], or another award winner insist upon giving his award to the actor who inspired him to become an actor [the only award Jack Lemmon ever got that was voted for by a panel of one – and who knows how many other actors he inspired...?]. Thank you speeches that come from the heart or, on occasion, from a few too many drinks… The Golden Globes are fun because you get more moments from real people than all the other awards shows combined [excepting, possibly, The Spirit Awards]. Plus, the Globes honor movies and television – so there are twice as many opportunities for entertainment. So, here, after the jump, here are the nominees and my choices.

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