TELEVISION: Patrick Swayze Gives A&E’s The Beast Its Power!

The new A&E series, The Beast [Thursdays, 10/9C], is built around a familiar premise – the veteran cop/FBI/CIA agent being teamed up with a green partner. The main difference between most movies and TV series that use this premise is that this one has Patrick Swayze and some very effective writing.

Dove & Barker

Swayze is the unorthodox [and possibly corrupt] veteran FBI agent, Charles Barker, who is partnered with the wet-behind-the-ears Ellis Dove [Travis Fimmel – who’s learned to act since The WB’s Tarzan]. Dove was handpicked by the cantankerous Barker to become his new partner, though you’d never know it from the way he treats him. The show opens with the two working undercover – and Barker shoots him! When they’re not actively pursuing a case, Barker has Dove fetch coffee, deal with obnoxious drunks and generally act as a gopher. By hitting the kid in his pride, Barker is pushing him to work on his undercover skills.

Then there’s the Internal Affairs thing. In the premiere, Ellis is approached by a handful of IA people who try to recruit him to prove Barker’s corruption – of the four, only “Ray” [Larry Gilliard Jr.] reappears in the second episode, and then to give Dove a DVD that allegedly implicates Barker in something illegal. Throw in something that disappears from the evidence room, and a woman who lives in Dove’s apartment building [Rose, played by Lindsay Pulsipher], and you’ve got most of the ingredients for a formula show.

Fortunately, series creators Vincent Angell and William L. Rothko aren’t interested in the standard tropes of the genre. Instead, they set up a selection of standard characters and play with their motivations and situations. The result is a smarter, darker show than you’d expect on basic cable – and an entertainment that would be more engrossing than most even without Swayze. With him, though, the show has serious heft.

Michael Dinner directs the first two episodes with an eye toward mixing noir-ish lighting with slightly bleached colors to give the show an individual look. He has a knack for lighting his characters so that we get a sense of who they are even before they say anything. Dinner does a good job of exploiting the chemistry between Swayze and Fimmel – not to mention Fimmel and Pulsipher – in a way that doesn’t seem forced. When you put it all together, it’s safe to say that The Beast is the best hour-long series that A&E has had since Nero Wolfe. what is literature survey in project report thesis introduction about working students click esl curriculum vitae writing service for college enter buy thesis paper gre essay topics examples viagra natural alimentos cheap ghost writer services source url here components of a good business plan overcoming fears essay phd dissertation length usa homework help us cialis kaskus sydney friendship reflection essay write essays for money online srinivasan subramanian resume follow url three gorges dam case study advantages and disadvantages professional dissertation results ghostwriter website ca watch effects viagra ecstacy Final Grade: B+

4 thoughts on “TELEVISION: Patrick Swayze Gives A&E’s The Beast Its Power!”

  1. This show is power and it means so much to see Patrick Swayze keep working. My grandfather passed away from cancer and he worked and lived a normal life as much as he could during hte disease. I hope Patrick is okay with his bout of pnemonaia

  2. He certainly did not look well during his interview with Barbara WaWa. Maybe this bout of pneumonia will help him quit smoking which he needs to do if he wants to live longer because it makes treatments for cancer less effective.

  3. He didn’t look bad at all in the eps I screened, but you’re right – he looked pretty bad during his interview with Ms Walters. It makes me wonder if The Beast might be a one season show.

    He definitely needs to do more than he is in terms of fighting his cancer, and quitting smoking would be a very smart move.

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