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Bones

Fox has rejigged its May Sweeps schedule a bit, moving the Bones finale to Monday, May 19th from the 12th and the Masterchef premiere to May 26th from May 19th. An encore Bones episode will run on Monday, April 28th.

The two-hour premiere of 24: Live Another Day will follow the Bones season finale on May 19th. For the rejigged schedule, check out the press release after the jump.

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Although tonight’s episode of Bones (Fox, Mondays, 8/7C) doesn’t take up much space in our latest conversation with showrunners Hart Hanson and Stephen Nathan, they definitely seemed happy to be back on Monday nights (or, maybe, they had one cup of coffee too many…).

When they chatted with a group of bloggers/journalists on Friday, there was a great deal of laughter and a wide range of topics – ranging from Wendell’s cancer to the gross remains that kick off each episode and even Hanson’s new series, Backstrom (premiering on Fox next season). Stephen Nathan even played Kevin Reilly for a completely unauthorized bit faux scheduling. It was one of the liveliest Q&As of the season. If there are showrunners out there who love talking with the press more than these guys, I’ve yet to encounter them.

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Fox has given Bones an order for a tenth season. But that’s not all – after this Friday’s episode, The Heiress in the Hill, the series will return to Monday nights with new episodes beginning March 10th (8/7C).

In other scheduling news from Fox: Kitchen Nightmare returns with a new episode on Friday as Gordon ‘I’M LOUDER THAN YOU’ Ramsay returns to Amy’s Baking Company, and the first season finale of Almost Human will run on Monday, March 3rd (8/7C). Check out the press release after the jump.

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Fox has moved Almost Human’s premiere from November 4th to make it a two-night event and goose its potential audience by scheduling its first episode immediately after NFL on Fox on Sunday, November 17th. The series will then premiere in its regular timeslot on Monday, November 18th at 8/7C.

Bones, which usually airs in the 8/7C timeslot on Mondays will move to Fridays on November 15th. Returning half-hour comedy Raising Hope will return for its fourth season premiere airing of two episodes following Bones on the 15th. Follow the jump for the press release – including schedule updates.

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Fox’s Almost Human – a futuristic cop/buddy series featuring human and android detective partners played by Karl Urban and Michael Ealy – will be previewed in an extended first look during tonight’s much anticipated episode of Bones, The Woman in White, in which FBI Special Agent Booth Seeley and forensic anthropologist Temperance Brennan (finally) get married.

The Almost Human extended preview will air simultaneously across all of Fox’s digital and social media platforms incluing Hulu, the Fox Now app, FOX.com/AlmostHuman, the official ALMOST HUMAN Facebook page (Facebook.com/AlmostHumanFOX), Twitter (@AlmostHumanFOX) and FOX affiliate websites.

For further details, check out the press release after the jump.

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There are two things you can count on when you take part in a conference call Q&A with Bones (Fox, Mondays, 9/8C) showrunners Hart Hanson and Stephen Nathan: they (and you) will have a good time, and the call will go long. Hanson and Nathan love what they do and they love to share that love with press, the show’s fans and anyone else who will listen to them.

Most of the core characters on Bones began the season in a miserable state, which makes the much talked about Bones/Booth wedding (due before the end of the calendar year) hard to imagine – especially with serial killer Pelant (the reason for everyone’s misery) still on the loose. The progression from one state to the other occupied most of the call. The call began inauspiciously with a prolonged silence that prompted one of them to opine that maybe the press was sick of them.

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Tonight, Fox’s Bones (Mondays, 8/7C) closes out its eighth season with the return of Christopher Pelant – who seems to be targeting Booth rather than Bones. Last week, Emily Deschanel spoke with a group of journalists/bloggers about the finale and the unusual way Pelant is operating now that he has Hodgins’ money to go with his own unique genius.

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