Planet of the Apes, Interspecies Imbroglio — Review by Ken Rosenberg

A blitz of high-priced talent was enlisted for this big-budget spectacle–director Tim Burton (“”Batman,”” “”Beetlejuice,”” “”Sleepy Hollow””), makeup-man extraordinaire Rick Baker, master scoresmith Danny Elfman–but little thought seems to have been devoted to creating an original story or distinctive characters.

The result is two hours of seamlessly produced, state of the art, nonstop eye candy–further evidence, if any was needed, that mainstream movie audiences want nothing more than to turn off their brains and be tickled senseless. “”Planet of the Apes”” pushes the same buttons that made popcorn-munching hordes go apeshit over “”The Mummy Returns.””

Fully up to the action-packed task here is Mark Wahlberg (“”The Perfect Storm,”” “”Boogie Nights””), a serviceable actor who has steadily risen through the ranks by dint of his broad, open features, muscular presence, and unassuming, schoolboy charm. As Leo Davidson, an astronaut on a space research station, circa 2029, he’s not called upon to do much more here, acting-wise, than furrow his brow and summon a expression of grave seriousness.

Updated: January 1, 1970 — 12:33 am