When the third season premiere of Psych [USA, Fridays, 10/9C] airs this evening, pseudo-psychic Shawn Spencer [James Roday] is going to be thrown for a loop in ways he never anticipated. First, off, his best and partner in the Psych detective agency, Gus [Dule´ Hill] is basically given the choice of staying with the agency and losing his highly remunerative day job, or keeping his day job and quitting Psych. Second, his mother, Madeline [Cybill Shepherd] is in town – and his father [Corbin Bernsen] knew she was coming. To further complicate matters, the CEO [Christopher McDonald] of the company where Gus works has a haunting problem – the kind of case that only Shawn and Gus can handle.
As in Psych’s lead-in, Monk, this evening’s case isn’t the primary focus of the ep – The Ghost in You. Sharp-eyed viewers will notice something unusual in the way that Shawn’s investigative scenes are shot that is integral to the case’s solution. But what really matters in the way that Shawn’s relationship with his father is challenged by the arrival of Madeline – but her impact isn’t just on the Spencer men.
It seems that Madeline is a psychologist who used to work with the police department. She has returned to not only visit Henry and Shawn, but to see if Detective Carlton Lassiter [Tim Omundson] is fit for duty. The sparring between them is quite literally priceless.
While Psych initially seemed like a series based on a gimmick, it has become a dependable source of entertainment because its writers know just when to lay off the shtick and spring a dramatic moment on us. The Ghost in You is no exception. Between trying to figure out how to keep Gus involved in the agency, without getting him fired at this day job – and dealing with the emotional rollercoaster ride that his mother’s surprise [to him] visit produces – as well as the agency’s latest case, we get to see sides of Shawn that we don’t usually see [which ties in, thematically with the Monk premiere that precedes it].
The Ghost in You is a solid ep that allows Roday and Hill to do their Gene Wilder/Richard Pryor of detectives thing to full advantage, while giving the show’s guest and supporting cast an opportunity to add texture and colors to the proceedings. It may because of the unusual shift of focus, but this is one of the best eps of the series, to date.
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