After all the end-of-half-the-living-beings-of-the-universe holy crap!@ness of Avengers: Infinity War, there are two aspects of Ant-Man and the Wasp that make it a refreshing change. The stakes are Scott Lang’s freedom and the life of Janet Van Dyne (and, okay, tangentially, the life of the costumed ‘villain’ of the piece – but not the mundane […]