The Last Song was written as a Miley Cyrus vehicle and then novelized by its co-writer, Nicholas Sparks – he of the cut & paste romantic dramas Nights in Rodanthe and Dear John. Although The Last Song follows the patterns of his previous novels/film adaptations, it is – somewhat surprisingly – better than expected.
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Greg Kinnear
While I was out Cruising the Bahamas, Disney announced Miley Cyrus’s next project is now in production. I really like Greg Kinnear so this should be interesting. “THE LAST SONG,” a coming-of-age drama starring multi-talented singer/songwriter/actress Miley Cyrus, Kelly Preston and Greg Kinnear, begins production in Savannah, Ga., this week. The film is based on best-selling novelist Nicholas Sparks’ forthcoming novel. Hitting bookstores on September 8, 2009, Sparks’
“The Last Song” is the 15th book published by the novelist whose other books include “The Notebook,” “Message in a Bottle” and “Nights in Rodanthe.” Though several of his books have been adapted to film, “The Last Song” is the first to make it to the big screen within the first year of publication. “THE LAST SONG” is set in a small Southern beach town where an estranged father (KINNEAR) gets a chance to spend the summer with his reluctant teenaged daughter (CYRUS), who’d rather be home in New York. He tries to reconnect with her through the only thing they have in common—music—in a story of family, friendship, secrets and salvation, along with first loves and second chances.
Julie Anne Robinson makes her feature-film directorial debut with “THE LAST SONG.” Robinson has been twice nominated for a BAFTA (Best Single Drama, “Coming Down the Mountain” and Best Drama Serial, “Blackpool”) and received a Golden Globe® nomination (Best Mini-Series or Motion Picture Made for Television, “Blackpool”). Her credits include a variety of television series, including “Grey’s Anatomy,” “Pushing Daisies,” “Weeds” and “Big Love.” Adam Shankman and Jennifer Gibgot, the duo behind “17 Again,” “Hairspray” and “Step Up,” produce; Dara Weintraub (“Superbad,” “Pineapple Express,” “17 Again” is co-producer. Jeff Van Wie co-wrote the script with Sparks.
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He sees dead people... and they annoy him.
Ghost Town is one of those rare romantic type comedies that doesn’t fall prey to the over use of clichés or sappy sweetness. It remains smart, funny and sometimes bitingly sarcastic.
The premise of Ghost Town falls somewhere between the elements of the recent ‘Over My Dead Body’ and the older ‘Heart and Souls’ and this movie manages to capture the comedy aspects that ‘Over My Dead Body’ failed to live up to and yet match the reaffirming warmth found in ‘Heart and Souls’. For this reviewer it made for a funny and winning combination. [click to continue…]
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Ah, Feast of Love, what is there to say about this overlong, pretentious rumination on the many forms of Love? Morgan Freeman gives one of his textbook quiet performances as a retired professor, Harry Stevenson, who sits around and observes life through the eyes of others in a small Oregon town. [click to continue…]
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