Tag Archives: Alejandro G. Iñárritu

Movie Reviews

The Revenant – Elegantly Brutal Western Revenge Tale!

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Revenant: 2.A person or thing reborn (Wiktionary).

Alejandro G. Iñárritu’s The Revenant is adapted from a novel that was based on real events, so it comes by its PR as ‘inspired by true events’ the long way round – but that does not lessen its impact.

The Revenant is a riveting tale of brutal survival and the desire for revenge. It is elegantly shot but the violence is brutal and the obstacles unrelenting. It may get Leonardo DiCaprio his long-deserved Oscar® – and it might give cinematographer Emmanuel Lubezki a shot at his third consecutive Oscar®.

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Movie Trailers

Why I Ain’t Afraid To Die Trailer: The Revenant!

revenant-02

How do you follow up an Oscar®-winning masterpiece? Alejandro G. Iñárritu has chosen to go from the cold of space, to the cold of the far north and from the realm of science fiction, to a few centuries into the past.

The Revenant is a tale of the one dish that’s best served cold: revenge. Iñárritu’s The Revenant stars Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson and Will Poulter. It will open on December 25th. Check out the trailer after the jump.

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2015 Movie Awards

Thoughts On The 87th Academy Awards – NPH Holds Long Unpredictable Evening Together!

87th Annual Academy Awards - Show

Neil Patrick Harris wasn’t brilliant for most of his first evening hosting the Oscars®, but when he picked his spots he definitely sparkled – his few comments on the lack of diversity in the Academy’s selections (‘…celebrating Hollywood’s best and whitest, sorry, brightest;’ Oh, sure ! You like them now!’) may not have been many, but they were perfect – making the point and then moving on (from that first dig right into a stunning eight-minute song and dance number that dropped him into classic movie scenes).

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Movie Reviews

Birdman or (The Unexpected Virtue of Ignorance): A Fabulous Fiction Rooted In Truth!

birdman

Alejandro G. Iñárritu’s Birdman or (The Unexpected Virtue of Ignorance) is a brilliant bombastic, bizarre skewering of: superhero movies, egocentric actors, actors’ insecurities, Broadway, Broadway critics, and pretty much all things entertainment.

The story of Riggan Thomson’s (Michael Keaton) effort to be taken seriously as an actor/director/playwright after having starred in three superhero movies twenty years ago – Birdman is directed as a continuous shot (which is difficult because the film takes place over a considerably longer period that its two-hour running time).

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