Posts tagged as:

M. Night Shyamalan

razzie-award

M. Night Shyamalan’s The Last Airbender was the big winner at 2011 Golden Raspberry Awards [The Razzies] – capturing Worst Picture, Worst Supporting Actor, Worst Eye-Gouging Misuse of 3D, Worst Director and Worst Screenplay. Runner-up Sex and the City 2 took Worst Actress, Worst Screen Couple/Ensemble and Worst Prequel, Remake, Rip-Off or Sequel.

Somehow, the egregious Grown Ups was overlooked in every category. The complete list of winners follows the jump.

[click to continue…]

No Comments

THE LAST AIRBENDER

The question is this: how does one adapt over four hundred minutes of story from twenty episodes of an excellent animated series into a one hundred-minute movie? The answer is, apparently, not very well. A slightly less pressing question might be: why did anyone think a hastily applied 3D conversion would help this muddled excuse for a fantasy epic in any conceivable way? That one I couldn’t tell you.

[click to continue…]

Grade: D

No Comments

Any great mystery, espionage or horror movie lives or dies on its writer and director combining to provide suspense – the ominous shadow here, the piercing music sting there – while creating characters we can relate to and placing them in situations that leave them more and more unable to cope, or adapt, until some revelation… some idea… gives them the wherewithal to overcome their plight.

For about two-thirds of The Happening, writer/producer/director M. Night Shyamalan does exactly that. Beginning with the first intimations of something wrong beginning to happen in New York city’s Central Park, Shyamalan provides an almost Hitchcockian build of suspense as people begin killing themselves in numbers that suggest, at first, a terrorist attack.

thehappening_teaser

The film follows a troubled couple, Elliot [Mark Wahlberg] and Alma [Zooey Deschanel] and the young daughter of a friend, Jess [Ashlynn Sanchez] – giving us a chance to see her with her father [John Leguizamo] before bad things separate them. As the behavioural problem mounts, and theories about the problem evolve, it seems certain that humanity is about to be removed from the face of the planet.

Even allowing for Shyamalan’s tendency to write dialogue that no one would ever really say, The Happening builds nicely. Tak Fujimoto’s cinematography and James Newton Howard’s score do work well to keep the audience on the edge of its seat. The problem arises when the third act has absolutely no surprises and the development of the attacks evolves precisely as it seemed it would – until…

Normally, that would be a good thing, but here, Shyamalan telegraphs the way the film plays in a rather clunky manner, so that the impact of some events are nearly nullified. Also, as a direct result of information imparted earlier, the film’s brief tag is also telegraphed, leaving us saying, “So?” On the other hand, The Happening is a huge improvement over Lady in the Water, so maybe Shyamalan’s career isn’t over just yet.

Final Grade: C-

No Comments