Hulu has announced a straight-to-series order of ten episodes for Casual, a comedy series, to be Executive Produced and Directed by Jason Reitman (Juno, Up In The Air, Young Adult). The series centers on a dysfunctional family in which a bachelor brother and a recently-divorced sister coach each other on dating – after they’ve both moved home, like teenagers. Casual is planned for a 2015 debut on Hulu. For more, follow the jump. Continue reading Jason Reitman Series Casual Gets Ten-Ep Order from Hulu!
Labor Day centers on 13-year-old Henry Wheeler, who struggles to be the man of his house and care for his reclusive mother Adele while confronting all the pangs of adolescence. On a back-to-school shopping trip, Henry and his mother encounter Frank Chambers, a man both intimidating and clearly in need of help, who convinces them to take him into their home and later is revealed to be an escaped convict. The events of this long Labor Day weekend will shape them for the rest of their lives.
Jason Reitman has yet to make a bad movie. Thank You for Smoking, Juno, Up in the Air, Young Adult – not a dud in the lot, which gives me reason to believe that his latest, Labor Day, will also be brilliant. Check out the trailer after the jump. Labor Day opens in select theaters on Christmas Day and goes wide on January 31, 2014.
The last time Jason Reitman and Diablo Cody worked together the result was Juno. This time, they’ve produced a much darker, truly twisted minor masterpiece.
Jason Reitman’s Up in the Air is a great film. What makes it so remarkable isn’t just that it’s timely and brilliant – it’s that it started out to be one thing and then, when the world’s financial climate changed radically, Reitman adapted it to fit the times in a way that is, topically at least, irony free – a first for him.
Ryan Bingham [George Clooney] is a corporate assassin. When companies downsize and don’t have the stones to do the firing themselves, Bingham’s boss [Jason Bateman] sends him to do the dirty work – which he does in a calculatedly semi-warm, dignified manner.
Ian Fleming’s great spy, James Bond, once said, “Once is chance; twice is coincidence, and three times is enemy action.” Tailoring that reasoning to filmmaking: a director making one great film could be chance – a confluence of events that captures lightning in a bottle; a director making two great films [let alone two in a row] could, conceivably, be a coincidence, but a director making three great films in a row – and to start his career, no less? Not a fluke.
Jason Reitman’s Up in the Air is a great film – as were Thank You For Smoking and Juno. He’s not only the real deal he’s quite possibly the most consistently excellent new filmmaker of the decade. What makes Up in the Air so remarkable isn’t just that it’s timely and brilliant – it’s that it started out to be one thing and then, when the world’s financial climate changed radically, Reitman adapted it to fit the times in a way that is, topically at least, irony free – a first for him.