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Zooey Deschanel

Preview: New Comedy NEW GIRL

Posted by   on September 20, 2011

in Television,TV Reviews

In FOX’s new comedy NEW GIRL, Zooey Deschanel is reason enough to watch even if she weren’t absolutely adorable, endearing and hilarious.  It is premiering Tuesdays at 9:00 pm and facing some difficult competition being up against  Biggest Loser,  NCIS,  and the  Dancing With the Stars  results show.  But at least NEW GIRL offers viewers a chance to get away from reality shows and procedurals, therefore I certainly hope it can grab a good chunk of audience.

Zooey plays Jess Day, a young woman who, after discovering her long-term boyfriend is cheating on her, moves into a loft apartment with three male roommates –  Nick [Jake Johnson], the prickly bartender who is still pining after his ex; Schmidt [Max Greenfield], the womanizer who works in an office full of ladies; and Coach [Damon Wayans, Jr.], an intense personal trainer. The guys try to help Jess get back on her feet and back into the dating world.  Overall, I found NEW GIRL to be delightful, fresh, funny, and yes, adorable.

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Grade: A

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Any great mystery, espionage or horror movie lives or dies on its writer and director combining to provide suspense – the ominous shadow here, the piercing music sting there – while creating characters we can relate to and placing them in situations that leave them more and more unable to cope, or adapt, until some revelation… some idea… gives them the wherewithal to overcome their plight.

For about two-thirds of The Happening, writer/producer/director M. Night Shyamalan does exactly that. Beginning with the first intimations of something wrong beginning to happen in New York city’s Central Park, Shyamalan provides an almost Hitchcockian build of suspense as people begin killing themselves in numbers that suggest, at first, a terrorist attack.

thehappening_teaser

The film follows a troubled couple, Elliot [Mark Wahlberg] and Alma [Zooey Deschanel] and the young daughter of a friend, Jess [Ashlynn Sanchez] – giving us a chance to see her with her father [John Leguizamo] before bad things separate them. As the behavioural problem mounts, and theories about the problem evolve, it seems certain that humanity is about to be removed from the face of the planet.

Even allowing for Shyamalan’s tendency to write dialogue that no one would ever really say, The Happening builds nicely. Tak Fujimoto’s cinematography and James Newton Howard’s score do work well to keep the audience on the edge of its seat. The problem arises when the third act has absolutely no surprises and the development of the attacks evolves precisely as it seemed it would – until…

Normally, that would be a good thing, but here, Shyamalan telegraphs the way the film plays in a rather clunky manner, so that the impact of some events are nearly nullified. Also, as a direct result of information imparted earlier, the film’s brief tag is also telegraphed, leaving us saying, “So?” On the other hand, The Happening is a huge improvement over Lady in the Water, so maybe Shyamalan’s career isn’t over just yet.

Final Grade: C-

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