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Director J.J. Abrams and writers Alex Kurtzman and Roberto Orci have produced a film that is set up in such a way that it does not need to navigate through forty-plus years of continuity – a film that can [and does] take chances. Instead of having to worry that any situation might rile Trekkers by flagrantly violating Trek continuity, Star Trek shuffles the deck with a unique twist on time travel paradoxes that allow fresh adventures within the positive core of creator Gene Roddenberry’s original concept. That it is “real” cannot be denied. It has the blessing of the Roddenberry family and Leonard Nimoy – and if Spock says it’s Trek, then it’s Trek. Plus, there’s no Big Red Reset Button [though there is the traditional red-shirted casualty-in-waiting…].