Artemis Fowl follows 12-year-old genius Artemis Fowl, a descendant of a long line of criminal masterminds, as he finds himself in a battle of strength and cunning against a powerful, hidden race of fairies who may be behind his father’s disappearance.
Artemis Fowl will be in theaters on August 9, 2019.
The Best Exotic Marigold Hotel was, to say the least, a most unexpected global hit. The idea of a group of English senior citizens moving to Jaipur, India to give themselves a better retirement – although intriguing – was expected to make money as a niche bit of counterprogramming but then people started seeing it and telling their friends. And suddenly, a sequel didn’t seem like a bad idea.
Now we have The Second Best Exotic Marigold Hotel and, if it’s not quite got that shiny, new film intrigue, seeing it is certainly like visiting some old, dear friends.
In the sequel to the surprise hit The Best Exotic Marigold Hotel, hotel proprietor Sonny Kapoor has opened a second hotel – and it the first was The Best Exotic Marigold Hotel, then the second must be The Second Best Exotic Marigold Hotel (Sonny’s English if very good – but a bit literal).
Joining the most of cast of the original is Richard Gere as Guy – an gentleman of a certain age whose looks prompt a bit of unsubtle banter. If the film’s first trailer is any indication, writer Ol Parker and director John Madden may have just captured lightning in a bottle for the second time. Check it out after the jump.
Skyfall is one of the best Bonds and part of the reason is that not only does Daniel Craig’s Bond continue to reveal new sides to his personality and resources; not only is he given one of the best Bond villains ever in Javier Bardem’s Raoul Silva, but Judi Dench just kills it as M – giving her every bit of the toughness and resiliency that we always expected of her, and an equally unexpected tenderness that we might not have.
The film holds up well on DVD, even on the small screen it’s a terrific experience, but there are barely fifteen minutes of features – most dealing with technical stuff but not in a superficial way.
Skyfall is one of the best Bonds and part of the reason is that not only does Daniel Craig’s Bond continue to reveal new sides to his personality and resources; not only is he given one of the best Bond villains ever in Javier Bardem’s Raoul Silva, but Judi Dench just kills it as M – giving her every bit of the toughness and resiliency that we always expected of here, and an equally unexpected tenderness that we might not have.
If you’ve seen Casino Royale, then you’ve gotten all the character development you need to enjoy Quantum of Solace, the latest adventure of MI6 operative James Bond [Daniel Craig] – but it’s not all the characterization you’ll get before the film ends. This film, which begins twenty minutes after the end of Casino Royale is a sleek action flick that – while it may be influenced by what Paul Greengrass did with the last two Jason Bourne films – manages to use some of the handheld techniques from the Bourne trilogy without ever moving completely away from the equally kinetic but different style of the previous film.
Here, Bond is out to avenge the death of the only woman he ever loved. The problem, he learns, is that her killer is part of a global network dedicated to take over the planet by perverting the fight against global warming to their own ends. The film’s most visible antagonist is Dominic Greene [Mathieu Amalric], the front for an organization of alleged ecological crusaders. Complicating things is a woman who is after the man who killed her family – and is now working with Green.
Quantum, it turns out, is the name of this shadowy organization and their claim that they are everywhere is supported by an attempt on M’s [Judy Dench] life by her own bodyguard. Circumstances dictate that she cut Bond loose to do what he does best – while looking like she’s trying to get him to stand down. It gets even more complex from there though Bond’s ability to suss out information from the slimmest resources gets him through it in fine style
Marc Forster’s direction, as mentioned above is somewhat influenced by the Bourne films, but he skilfully weaves unexpected character moments throughout in a way that’s so invisible that many reviewers have found the film devoid of characterization. Such is not the case – though much of Quantum’s character moments come through choices Bond makes in the midst of action.
The action sequences are breathtaking throughout, but the bookends of the opening chase/fight sequence and the wall of destruction just before the film’s conclusion are among the best I’ve ever seen. The cast is excellent as well – especially Olga Kurylenko as Camille – the woman who, like Bond, has vengeance on her mind [her situation at the end may have something to do with her not sleeping with Bond, but that’s a subject for Bond fanatics to debate.
Amalric makes a good villain for two reasons: acting skill [and knowing when not to chew the scenery], and the fact that his eyes seem just a tad bit too large for his face [just enough to be creepy; not enough to be funny]. In terms of sheer presence, none of the other Quantum employees/conspirators matches him.
Overall, then, while Quantum of Solace won’t be making any top ten best films lists for 2008, it is in no way a bad film. Rather, it is one of the half-dozen best Bond films – and that’s not too shabby.