In Hold the Dark, retired naturalist and wolf expert Russell Core journeys to the edge of civilization in northern Alaska at the pleading of Medora Slone, a young mother whose son was killed by a pack of wolves. As Core attempts to help Medora track down the wolves who took her son, a strange and dangerous relationship develops between the two lonely souls.
Hold the Dark premieres globally on Netflix on September 28th.
Suppose you could stop a nuclear attack on a major American city – but only by reliving the last eight minutes of someone else’s life and with no idea of where you were when you were not in that other, soon-to-end life. That’s the situation in which Jake Gyllenhaal’s Captain Colter Stevens finds himself in, in Duncan Jones’ Source Code.
If you’ve seen Casino Royale, then you’ve gotten all the character development you need to enjoy Quantum of Solace, the latest adventure of MI6 operative James Bond [Daniel Craig] – but it’s not all the characterization you’ll get before the film ends. This film, which begins twenty minutes after the end of Casino Royale is a sleek action flick that – while it may be influenced by what Paul Greengrass did with the last two Jason Bourne films – manages to use some of the handheld techniques from the Bourne trilogy without ever moving completely away from the equally kinetic but different style of the previous film.
Here, Bond is out to avenge the death of the only woman he ever loved. The problem, he learns, is that her killer is part of a global network dedicated to take over the planet by perverting the fight against global warming to their own ends. The film’s most visible antagonist is Dominic Greene [Mathieu Amalric], the front for an organization of alleged ecological crusaders. Complicating things is a woman who is after the man who killed her family – and is now working with Green.
Quantum, it turns out, is the name of this shadowy organization and their claim that they are everywhere is supported by an attempt on M’s [Judy Dench] life by her own bodyguard. Circumstances dictate that she cut Bond loose to do what he does best – while looking like she’s trying to get him to stand down. It gets even more complex from there though Bond’s ability to suss out information from the slimmest resources gets him through it in fine style
Marc Forster’s direction, as mentioned above is somewhat influenced by the Bourne films, but he skilfully weaves unexpected character moments throughout in a way that’s so invisible that many reviewers have found the film devoid of characterization. Such is not the case – though much of Quantum’s character moments come through choices Bond makes in the midst of action.
The action sequences are breathtaking throughout, but the bookends of the opening chase/fight sequence and the wall of destruction just before the film’s conclusion are among the best I’ve ever seen. The cast is excellent as well – especially Olga Kurylenko as Camille – the woman who, like Bond, has vengeance on her mind [her situation at the end may have something to do with her not sleeping with Bond, but that’s a subject for Bond fanatics to debate.
Amalric makes a good villain for two reasons: acting skill [and knowing when not to chew the scenery], and the fact that his eyes seem just a tad bit too large for his face [just enough to be creepy; not enough to be funny]. In terms of sheer presence, none of the other Quantum employees/conspirators matches him.
Overall, then, while Quantum of Solace won’t be making any top ten best films lists for 2008, it is in no way a bad film. Rather, it is one of the half-dozen best Bond films – and that’s not too shabby.