CBS has renewed Ransom – the drama series based on the real-life experiences of distinguished crisis negotiator Laurent Combalbert, who, along with his partner, Marwan Mery, are among the top negotiators in the world.
The second season of Ransom will be shot in Hungary for broadcast in 2018.
Frank Spotnitzwill write and (with Ridley Scott) co-executive produce Syfy’s four-hour miniseries adaptation of Philip K. Dick’s Man in the High Castle – a tale of an alternate future where the allies lost World War II and the rule of the United States is split between Germany and Japan. The novel has long been considered one of Dick’s finest works.
With Strike Back, HBO’s racier cable outlet steps away from its ‘Skinema’ nickname and moves into the realm of hard-edged action-adventure. The premise of new series [which premieres on Friday, August 12th at 10/9C] is as follows: when a resourceful international terrorist group plots an attack, a charismatic former U.S. Special Forces operative joins forces with a stealth British military unit to stop them.
Further details – including the blurb for the series premiere, cast and production details, the official trailer and two clips follow the jump.
As an X-Phile who sat through every single episode of the The X-Files [yup, all nine seasons and the first movie], I have to say that it was disheartening to see a mere eighteen people in the theater for the first matinee of The X-Files: I Want To Believe. What was even more disheartening was watching the film unfold to pretty much stony silence from the assembled [I’d hardly call it a crowd].
You don’t need to have watched the television program to understand what’s going on in I Want to Believe, but it certainly helps when it comes to some of the inside jokes and character moments. Even a non-X-Phile can follow the plot – which revolves around a specific urban legend – and the relationship between former FBI agents Fox Mulder [David Duchovny] and Dr. Dana Scully [Gillian Anderson] is apparent even to the uninitiated [though some of their exchanges might not have the same impact for those new to the X-Files experience].
Duchovny and Anderson slip back into their roles so well, it’s like they’ve always been there and there are pleasantly surprising performances from newcomers to the X-Files, Xzibit [as a sceptical FBI Agent who seems like a Skinner-in-training, but without the people skills] and Billy Connolly as a psychic pedophile ex-priest. Amanda Peet, as Agent-in-Charge Dakota Whitney, is merely adequate. Callum Keith Rennie, as the primary villain, brings a suitable menace to his performance.
Unfortunately, the plot is pretty average – to the point where the B-plot [Scully’s efforts to save the life of a boy with a deadly brain disease] is actually more involving. On the plus side, series creator Chris Carter – who co-wrote the script with Frank Spotnitz – does a good job of creating the murky, atmospheric feel that made the series unique to the proceedings. That compensates for many of the film’s flaws.
The X-Files: I Want To Believe is an adequate way to kill a couple of hours, but it’s not likely to spawn the kind of fervent glee that the best episodes of the series generated. I fear this will be the last new X-Files adventure/investigation. Pity… [Please note, stay through the credits and you’ll see a glimpse of Mulder and Scully that is particularly memorable for Scully fans – two words: black bikini.]