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Fox Searchlight has acquired worldwide rights to Mike Cahill’s I Origins at Sundance a existential sci-fi drama. I Origins is his second feature after Another Earth, which Fox Searchlight also acquired at Sundance in 2011.
The press release follows the jump.
Fox Searchlight’s Enough said, starring James Gandolfini and Julia Louis-Dreyfus, has a lovely premise: a woman falls in love with this guy just as she’s also becoming friends with his ex-wife – who has nothing good to say about him. It’s a film that seems to be making the most of Gandolfini’s charm and Louis-Dreyfus’ ability to go awkward. Enough Said also stars Toni Collette and Catherine Keener (as the ex).
Enough said will premiere at the Toronto International Film Festival before getting its theatrical release on September 20th. The trailer is just on the other side of the jump.
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The coming of age movie is one of summer’s staples, think Adventureland as a classic example, a film where a kid suffering the awkwardness of adolescence has a life-changing experience over that one special summer. Most of them are fine examples of Sturgeon’s Law (90% of everything is crap). Then there’s The Way, Way Back. The Way, Way Back is one of the great ones.
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Brought to you by two of the guys who wrote The Descendants and the studio that gave us Little Miss Sunshine and Juno. What more do you need to know?
The Way, Way Back premieres July 5th.
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Danny Boyle’s unsuccessful films are more interesting than most directors’ good ones. Trance – a genre-bending heist/psychological thriller hybrid – is not one of his unsuccessful movies.
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The Korean director Park Chan-wook has made at least one film – Oldboy, allegedly being remade by Spike Lee – that is generally considered to be a classic. I don’t know if Park’s first film in English, Stoker, will ever approach that film’s critical acclaim, but I have no doubt if it had been shot in Korean, it might well have been (sometimes, subtitles really do make a difference to an audience’s perceptions).
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Hitchcock is a fabulist take on Hitchcock’s life while making Psycho. It opens with Hitchcock introducing the film in a manner we can recognise from television’s classic Alfred Hitchcock Presents following a murder that will play into the story in a pretty dramatic (and also cheeky) way.
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