The second half of Gotham’s (FOX, Mondays, 8/7C) first season gets underway with Rogues Gallery – the first time we get to see Jim Gordon at work after his demotion. The mid-season premiere opens with Shakespeare and ends with (among other things) a chilling promise.
Sanctuary’s fourth season premiere, Tempus, finds Dr. Helen Magnus stuck in Victorian London trying to prevent Adam Worth from saving his daughter’s life and changing history. No pressure!
Sanctuary, Syfy’s series that blends SF and fantasy in a unique way, has been picked up for a fourth season. Details follow the jump.
Stargate Atlantis [Sci Fi Channel, Fridays 9/8C] closes up shop one week from tonight with its one hundredth episode – but before we get to that double milestone, there’s a small matter of a series of inexplicable murders in and around Las Vegas.
Subtly entitled Vegas, the show’s penultimate episode opens as a clever riff on CSI: Crime Scene Investigation – but the murders under investigation are way beyond any normal cops and forensics units’ abilities. Fortunately, Detective John Sheppard [Joe Flanigan] is on the case – making it easier for Dr. Rodney McKay [David Hewlett] to trust him with a top secret tale of familiar dimensions. In an unusual and slightly unsettling way, Vegas sets the stage for the series finale.
Enemy at the Gate brings the battle with the Wraith to Earth in an unexpected manner. In the episode, sometime Wraith collaborator Todd [Christopher Heyerdahl] approaches Atlantis with news that an underling has taken over his hive ship – which is now equipped with a ZPM and being turned into an invulnerable dreadnought. In a twist foreshadowed in the previous episode, that bigger, better hive ship will cause a great deal of turmoil – not the least of which is the show’s second James Blish reference [that’s the only hint you get – look it up].
Atlantis’ final episodes do what the show has always done best – science fiction adventure with deft humor, intriguing characterization, and some show stopping effects [I suspect the SGA creative team may have cut a few corners to give the series a big finale and it definitely worked]. The writing is especially noteworthy for the way Robert Cooper [Vegas] and the team of Joseph Mallozzi and Paul Mullie not only play with sci fi conventions, but the conventions of the series they’ve worked on for the last five seasons.
Cooper also directed Vegas and he definitely catches the essence of CSI before the ep moves back into a version of more familiar territory. Andy Mikita deserves commendation for taking the series home in Enemy at the Gate [which is another title that works on a couple of levels, as you’ll see in the ep’s final sequence].
Several old friends are on hand to give fans a last chance to enjoy series favorites like Amanda Tapping [Col. Samantha Carter], Paul McGillion [Dr. Carson Beckett], Mitch Pileggi [Col. Steven Caldwell], Colin Cunningham [Major Paul Davis], Matthew Glave [Col. Paul Emerson], Ben Cotton [Dr. Kavanaugh], and the inimitable Gary Jones [Sgt. Walter Harriman].
Stargate Atlantis ends on a high note. All we have to do is enjoy.
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The Sci Fi Channel’s new series, Sanctuary [Fridays, 9/8C] is adapted from the internet series of the same name. It revolves around Dr. Helen Magnus and her “sanctuary for all.”
Dr. Will Zimmerman [Robin Dunne] is a mess. A forensic psychologist, he’s lost his job with the FBI and now plies his trade with a police force that pays no attention to his theories and opinions. When he attempts to help the police investigate a triple homicide – including two police officers – he begins an adventure that will clear up mysteries that have tormented him since he was eight years old, even as he encounters new mysteries that will change the way he thinks, acts and maybe even dreams.
Who is Dr. Helen Magnus [Amanda Tapping]? Who is the blonde Valkyrie [Emilie Ullerup] on the motorcycle? And who is the tall, bald, sinister apparition [Christopher Heyerdahl] who can seemingly move faster than bullets? And what do they have to do with a scared ten-year old boy of Slavic ancestry? And what is Magnus’ semi-simian chauffeur, anyway?
Sanctuary’s two-hour premiere, Sanctuary For All, answers these questions and leads into a series that explores the concept that every creature from folklore and mythology is real. The physical Sanctuary is the place where Magnus and her team provide safety for those creatures who seek refuge, and confinement for those whose predatory natures threaten humanity.
Shot almost completely in CGI [only the cast and essential props are live action], Sanctuary has a unique look [think classic Universal horror mixed with urban cop show] and an equally unique feel. The premiere introduces the aforementioned characters plus a tall humanoid who might well be the so-called Missing Link. The ten-year old boy fits right in as a genetic mutation from Chechnya.
The script is solid, if not inspiring, and intriguing – especially since it gives us enough answers to make us wonder just how many more questions are out there waiting to be answered. The acting is, for the most part, adequate. Tapping’s English accent may wobble from time to time, but emotionally, she’s spot on. Dunne makes Zimmerman, who is almost a Daniel Jackson clone, seem fresh and different. There’s even a cameo from Battlestar Galactica alumnus Kandyse McClure as Zimmerman’s ex – just to emphasize how damaged he is.
The keyword here is potential. The premiere lays out an intriguing premise and gives us sufficient background to make us feel like we can relate that that specific world. It may be a bit stilted, but it manages to convey its concepts relatively clearly, and the cast of characters is an odd mix or near-immortal, exuberant youth, damaged professional and surly/quirky tech master. The mix of science and myth works, for the most part – and so does Sanctuary.
Final Grade: B-