Greg is MAD AS HELL at 3-D Movies and he’s not gonna take it anymore!
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He’s the best-selling concert artist of the 21st century. He’s sold more than one million tickets in each of the last eight summers. He’s Kenny Chesney and, beginning tomorrow, for a limited time only, you can see him like you’ve never seen him before – in Kenny Chesney: Summer in 3D!. Details from the press release follow the jump.
In the first of what will be numerous 3D Television announcements. Vizio has 3 brand new 3D enabled televisions on the way in 72, 55, and 47 inch configurations. You’d think they’d be outrageously expensive, but no, they are $3499, $2499, and $1999 respectively. A 72 inch flat panel 3D television for $3499? Can’t beat that! The television will feature wireless HDMI, and Vizio’s new Internet Apps. The full press release is after the break.
I’ve just returned from an alien world. That’s what it feels like after seeing Avatar.
I’ve heard all the negative buzz: it’s Dances With Wolves in CG [really? You consider that a Bad Thing?]; some of the dialogue is clunky [I prefer blunt and to the point, but, well…]; it’s a crossover combining too many genres – a boy’s adventure; epic romance; action flick; a melding of both science fiction and fantasy; an eco-fable [someone forgot to mention that they are blended together seamlessly]; and on and on…
I don’t care.
Let me repeat that for you: I. don’t. care.
Avatar blew me through the back of my seat. And a quick check of the numbers at both rottentomatoes.com and MetaCritic.com overwhelmingly agree – James Cameron set out to make the biggest, baddest, entertainingest movie the world has ever seen, and he pretty much delivered.
New Line’s Journey to the Center of the Earth is a flimsy plot – loosely based on Jules Verne’s novel of the same name – used to set up a string of wild [and at times gross and/or grotesque] 3D effects. The good news is that the combination of cast and CG effects make it – literally – a great ride.
Trevor Anderson’s [Brendan Fraser] work on seismic effects is threatened by a lack of results. When his nephew, Sean [Josh Hutcherson], comes to visit, a comment on his dad’s favorite book [guess…] leads to the discovery that seismic shifts lead to an unexpected location – and the figures match, precisely, those from the time when Trevor’s brother, Max, disappeared. The figures lead Trevor and Sean to Iceland and a mountain guide, Hannah Ásgeirsson [Anita Briem], whose father was a colleague of Max’s. Before you know it, the three are at the center of the planet!
Outside of encounters with luminescent birds, extinct dinosaurs, piranha the size of Great Danes and other odd occurrences, that’s all there is to it. What makes it work is that Fraser, Hutcherson and Briem give themselves over to the thrill ride completely. The screenplay, by Michael Weiss, Jennifer Flackett and Mark Levin, gives our heroes plenty of exciting situations to deal with – and a number of good [if not terribly memorable] lines to keep us the edges of our seats. Eric Brevig’s direction is frenetic enough that, even with a few pauses for breath and a bit of emotional interplay, the film zips by in a compact ninety-three minutes – without feeling too short. The 3D is generally very good, though there are a few places where it is outstanding. My personal favorite [which is to say, the one that made me jump the highest] involves a piranha – and I guarantee you won’t see it coming [sorry…].
It’s a pity that Journey to the Center of the Earth opens the same weekend as Hellboy II and the new Eddie Murphy movie [which is likely not half as much fun]. It would be a shame to see it get lost in the box office shuffle. It’s far too much pure fun for that.
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