From the category archives:

TV Reviews

The River - Bob D'Amico

The River [ABC, Tuesday, 9/8C] is the latest attempt to produce a scary horror show for network television. Co-created by Oren Peli – of Paranormal Activity fame – it’s a show that follows the family, friends and crew of a famed explorer/television host as they follow a previously unknown offshoot of the Amazon River six months after he disappeared. And, yeah, it’s scary.

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Grade: A-

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Smash [NBC, Mondays, 10/9C] is a risky oddball of a series that was developed for cable before winding up on NBC. The story of the mounting of a Broadway play, Marilyn: The Musical, it is a big budget swing for the fences that knocks it out of the park.

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Grade: A+

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It is extremely refreshing to see a series where a courtroom, a hospital, or a crime scene are nowhere in sight.  Networks don’t often take chances on a series without one of those popular and successful staples as its foundation.  And let’s also get another thing straight – with the exception of the inclusion of songs and musical numbers, there is simply no comparison between Smash and Glee, the first being a serious drama and the latter a comedy that doesn’t take itself too seriously.  The good thing about Glee is that its success helped open the door to other shows interested in including music in its formats.

Smash takes us behind the scenes into the world of Broadway giving us views through the eyes of the struggling artist looking for that one break to fulfill their dreams; the creative team looking for inspiration in developing the next big thing along with its music and dance numbers; and the people who can write the checks to pay for it all.  The characters involved through each of these views are interesting and engaging, and the talented cast does an excellent job bringing them to life.  The musical numbers are richly produced and give a true sense of a Broadway stage while giving us an often-painful peek behind the curtain.  But the thing that will keep viewers interested will be the personal dramas associated with all the characters.  Based on the Pilot episode alone, Smash appears to be hitting all the right notes.

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Grade: A

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The long-awaited second season of Spartacus – Spartacus: Vengeance [Starz, Fridays, 10/9C] – finds two former champions of Capua struggling between the demands of promised leadership and personal quests: Spartacus to avenge his wife; Crixus to find his lost love.

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Grade: B+

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Over five completely unexpected seasons – the show was always on the bubble – NBC’s little show that could, did! Chuck [Friday, 8/7C], wraps up its fifth and final season with a two-hour finale that will make you laugh, cry and laugh some more [before you cry some more]. If any other show wraps its run like this, it would be a crime. For Chuck to wrap this way is perfect.

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Grade: A+

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Tim Kring’s new series, Touch, marks Kiefer Sutherland’s return to primetime television. In it, he plays Martin Bohm, single parent to Jake – a remarkable ten-year old boy who has been misdiagnosed as autistic, but is something… more.

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Grade: B+

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Phil Ochs in his first publicity shot (1963, New York City).<br />
"Phil Ochs: There but for Fortune", a film by Kenneth Bowser. A First Run Features release.

Phil Ochs was a protest singer’s protest singer. He wrote what he saw, and what he saw was injustice. Unlike more famous and more lauded protest singers, he didn’t couch his songs in metaphor – he was incisive and disturbing.

On American Masters [PBS, 10/9C], Phil Ochs: There But For Fortune follows Ochs’ life and music from its beginnings in the early sixties to his suicide at 35.

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Grade: A+

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