The Score Bores, By Ken Rosenberg custom research paper for sale fun creative writing prompts for 6th grade what is best cialis viagra or levitra thesis on education leadership and management write me social studies critical thinking video viagra naturel essay about myself writing java service in webmethods example of narrative essay conclusion organizational culture paper get link i love writing essays richard a cooper and resume here resume writing service ny does old viagra still woek essay on law example of narrative essay lonliness essay homework help websites inderal nvq assignments help sample social research paper lancia thesis audio how do you write a book title in an essay customized writing At the center of this smoothly-produced crime thriller is a world-weary safecracker and jewel thief (Robert DeNiro), who’s on the verge of marrying his tough-but-sweet ladyfriend (Angela Bassett) and retiring to a peaceful life running his Montreal jazz club, where the likes of Cassandra Wilson and Mose Allison hold forth. But he’s enticed by professional pride and the prospect of a multi-million-dollar haul into participating in one final mega-caper.

If that premise sounds like a new variation on an old theme, it should; and what ensues, relying heavily on the mechanics of sophisticated, high-tech thievery, doesn’t do much to freshen the formula. Marlon Brando plays DeNiro’s fence and longtime partner, a mountainous, half-soused mastermind who desperately needs the big score to clear up festering debts, and Edward Norton is the young Turk, a nervy, razor’s-edge, quick-thinking con artist who poses as slightly retarded to snag a job as a janitor in the Montreal Customs House, deep within the bowels of which is secreted the object of the conspirators’ desire, a priceless, jewel-encrusted 17th-century French MacGuffin–uh, royal scepter.