TELEVISION: Burn Notice: USA’s Spy-Cum-Detective-Cum-Caper Series Picks Up Steam!

Tomorrow marks the return of one of the summer’s brightest lights, Burn Notice [USA, Thursdays, 10/9C]. When last we saw burnt agent Michael Westen [Jeffrey Donovan], he was caught in a freeze frame in mid-air after a bomb planted inside his door had gone off. It should come as no surprise that the winter premiere of the show picks up right at that precise instant. Nor will it come as a surprise that Westen survives – though he is banged up enough that he’s less than subtle in both his dealings with Carla [Tricia Helfer] and the con artists who benefited financially at the expense of a perhaps terminally ill boy named Jack. Westen saves Jack’s father from a terrible mistake [suicide] and after a very brief conversation, Kenny [David Barry Gray] becomes his next “side job” [as Carla puts it].

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In our interview with Bruce Campbell [Westen’s right-hand man, Sam Axe] mentioned that he thought the show had a core of innocence, like The Rockford Files. Actually, I’d take that a couple of steps further and suggest that Burn Notice is a mash-up of Rockford and It Takes a Thief – only the hero is I Spy’s Kelly Robinson [in an upcoming interview, Nix talks about the way classic TV influenced the show].

In Do No Harm, the Season 2.5 premiere, Westen, who was pretty banged up after surviving the explosion, decides that he’s not exactly in the mood for subtle –something to do with almost dying [attempts on his life, he says, “are like snowflakes. Each one is different – and icy cold]. This puts Sam a bit on edge, and makes Fiona [Gabriel Anwar] a hair crazier than usual. It also means babysitting duty for Westen’s mom, Madeline [Sharon Gless].

The episode – which was written and directed by creator Matt Nix – seems to move a bit faster than usual. Probably because of Westen’s decision to forego subtlety. Also probably because of a twist in regard to his would-be assassin. Mostly, though it’s the combination of the above and con artists who target fatally ill children. As a result, the voiceovers aren’t quite as matter-of-fact as usual. There’s just a slight tonal difference, but we can tell Westen’s objectivity isn’t exactly intact.

Nix proves to be a capable director. He keeps the pace up and knows when to let the show’s trademark humor relieve the tension. Because he is so good, it should come as no surprise that Do Not Harm is one of the series’ best episodes, to date. After all, there’s compromising of the writer’s vision.

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