When Law & Order: Criminal Intent returns [USA, Sunday, 9/8C], Detectives Goren [Vincent D’Onofrio] and Eames [Kathryn Erbe] will be splitting episodes with Detective Meagan Wheeler [Julianne Nicholson] and new guy, Detective Zach Nichols [Jeff Goldblum]. Wednesday afternoon, there was a Q&A session with D’Onofrio and Erbe, who talked about the eighth season. Taking part were Jamie Steinberg [Starry Constellation], Troy Rogers [thedeadbolt.com], Jamie Ruby [Media Boulevard], Zach Oat [televisionwithoutpity.com], Ashley Aikens [pitching a query for me. Doctor’s appointment. Don’t ask…], Kristyn Clarke [popculturemadness.com], Jay Jacobs [popentertainment.com], Christine Nyholm [examiner.com], Ian Dawson [stuffwelike.com], Amy Steele [Entertainment Realm], Christine Zimmer [All Things Law & Order], and Loring Judge [Reel Blog].
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Procedural
There was an overwhelming amount of great TV, this year [and, as you’ll see not too much later, an almost equally overwhelming amount of excessively bad TV]. Given the truly amazing amount of quality to be found between the networks and the various cable outlets, I’ve decided to list my favorite fifteen shows of the year.
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This season, CSI [CBS, Thursdays, 9/8C] has been a real rollercoaster ride. It started with the death of Warrick [Gary Dourdan] – followed by a murderer who used dead people to create some very warped art; an unsolved case involving an engaged couple; a killer hypnotist and even the return of Lady Heather [Melinda Clarke]. Along the way, Gil Grissom [William Petersen] has been looking less like the clue sniffer we’ve come to know and more like a man who has just about run out gas.
When he reveals to his team that he’s leaving, at the beginning this week’s episode, 19 Down…, it may come as a surprise to his team, but even without all the publicity about the new cast member, we’d have known before they did – and actually, Catherine Willows [Marg Hellgenberger] surprises him by not being surprised.
When what starts off as just another day in Vegas turns into something greatly different – a murder ties into a long imprisoned serial killer – and Grissom gets that intrigued look again. The tie-in is to Nathan Haskell [Bill Irwin – think Jack Coleman’s HRG gone stone bugfrak crazy], who killed at least eight couples before he was caught. Turns out that Haskell is doing a series of closed circuit Q&A sessions with a university class taught by one Dr. Raymond Langston [Laurence Fishburne].
19 Down… is the fall cliffhanger for CSI, so they’ve really shot the works. The pacing is [if you can believe it] even crisper than usual and the way it ties into the season’s prior unsolved mystery is not just clever, it’s very close to genius. Co-Executive Producers Naren Shankar and Carol Mendelsohn have created a terrific puzzle for Grissom and his team and every member of the core cast gets a meaty moment to shine – as when Hodges responds to the news of Grissom’s leaving [for just one example]. Director Kenneth Fink keeps things tight and suspenseful.
Not many weekly series can maintain a high level of quality through nine seasons, and CSI’s ninth season isn’t over yet, but between the announcement of Grissom’s leaving and the introduction of Langston, it would seem likely that the show is going to maintain that high level. It also seems likely that the transition of the series from Grissom’s era into Willows’ era will be a reasonably smooth one. For now, at least, I have to say that this is my favorite fall cliffhanger, so far.
Final Grade: A
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What Dragnet was to Los Angeles, and Naked City was to New York, that’s what M Squad was to Chicago. The hard-boiled cop show starred Lee Marvin, in his first major leading role, as Lt. Frank Ballinger of the so-called M Squad. In Ballinger’s words, M Squad “is a special detail of the Chicago Police; we work on cases when requested by other departments, and when there are special circumstances.” Most of the show’s one hundred and seventeen episodes dealt with homicides. The Timeless Media Group collection of the complete series marks the first time the series has been released on any form of home video.
Although Lt. Ballinger had occasional support from various fellow detectives, the only other series regular was his immediate superior, Captain Grey [Paul Newlan] – as hands-on a boss as any cop could hope for. Ballinger’s cases ranged from deaths caused during escape from a robbery [caused by a cleverly disguised sailor hoping to get away when his ship sailed], to the case of a married businessman killed in an apparent robbery after breaking up with his mistress [the dead man’s wife was a friend of Captain Grey’s wife].
The series ran for four seasons and, beginning with the second, featured a theme composed by Count Basie. For all four seasons, the episodes’ scores were composed by jazz greats like Benny Carter and John Williams [who went on to score Star Wars]. Coupled with the stark black & white, noir-ish cinematography, M Squad was an effective combination of sizzle and substance.
Marvin’s Ballinger could be as brusque as Jack Webb’s Joe Friday, but was a bit on the empathetic side when dealing the victims of the crimes he investigated. He could be fooled by a pretty face, but not for long – and he had a very Sam Spade-like attitude to female criminals. He was smart and intuitive, and as perfectly capable of taking down bad guys with his fists as with a gun.
I could bore you with a list of guest stars who went on to bigger – if not necessarily better – things [among the ones listed on the box are two future Star Trek stars, a vigilante and a policewoman-to-be] but I’ll leave the fun of spotting them to you.
As for the quality of the set, it varies. Originally, Timeless planned a best-of set because they didn’t have access to all one hundred and seventeen episodes. The missing episodes were supplied by fans, making this a unique achievement. The result is something rare – a complete set of episodes from a groundbreaking, fifty-year old series that led the way in writing, direction, performance, production values and scoring.
There are no features included with the set – other than the liner notes that are duplicated on the back on of the slipcase and the interior foldout box, and a CD of Count Basie’s theme and jazz selections from the show’s score.
The variable quality of the episodes keeps the set from getting an A+ for content, but, as all episodes are definitely watchable, it doesn’t lose much.
Final Grade: A
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