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Procedural

L&O-CI Cast

When Law & Order: Criminal Intent returns [USA, Sunday, 9/8C], Detectives Goren [Vincent D’Onofrio] and Eames [Kathryn Erbe] will be splitting episodes with Detective Meagan Wheeler [Julianne Nicholson] and new guy, Detective Zach Nichols [Jeff Goldblum]. Wednesday afternoon, there was a Q&A session with D’Onofrio and Erbe, who talked about the eighth season. Taking part were Jamie Steinberg [Starry Constellation], Troy Rogers [thedeadbolt.com], Jamie Ruby [Media Boulevard], Zach Oat [televisionwithoutpity.com], Ashley Aikens [pitching a query for me. Doctor’s appointment. Don’t ask…], Kristyn Clarke [popculturemadness.com], Jay Jacobs [popentertainment.com], Christine Nyholm [examiner.com], Ian Dawson [stuffwelike.com], Amy Steele [Entertainment Realm], Christine Zimmer [All Things Law & Order], and Loring Judge [Reel Blog].

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Cold Case [CBS, 9/8C] deals with a team of detectives that solve “cold” cases – cases that that have long since been given up on – usually because some pertinent information has floated to the surface, figuratively speaking. The one thing they are completely unprepared for is a case that involves the here and now – and when the victim is one of their own, they find themselves in a place they’ve never been.

Cold Case - Officer Down

In Officer Down, Will Jeffries [Thom Barry] and Nick Vera [Jeremy Ratchford] stop so that Will can pick up some milk. When Will enters the corner store and goes to the milk cooler, he is shot from behind and left to die, along with the store owner, a neighborhood mainstay whom everyone calls “Pops”. From there, the episode deals with the reactions of the rest of the team – Lilly Rush [Kathryn Morris], Scotty Valens [Danny Pino], Lt. John Stillman [John Finn], and Kat Miller [Tracie Thoms].

They find themselves not only having to work in the present, but also trying to find who ambushed one of their own. From their initial responses [Rush gets the call as she’s jogging and pulls up short; Valens was in a dare with a gorgeous young thing and just drops her off near her home and pulls away even as she’s asking if “we can do this again?”], to their intensity in working the investigation, we’ve never seen the team as focused – or as frustrated.

Thanks to a solid script from co-producer Charles Silber, we actually get to see new shadings of these characters [who would’ve thought that the sceptical Vera would find himself “getting good at prayer?”]. We get the show’s trademark flashbacks, but with one exception they’re only back a matter of days – but director keeps show’s unique look for them, which gives them more impact than usual. In fact, it’s through the flashbacks that we get to know Pops [Clarence Williams III] – something that both keeps us firmly grounded in the here and now, and shows us something we didn’t know about Jeffries.

There’s even an internal affairs investigation that doesn’t feel gratuitous – and Lt. Stillman learns who has it in for him. And yet, “officer Down” doesn’t feel rushed or cramped. It may be Cold Case’s best episode of the season [and there have been some really good ones].

Final Grade: A-

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The winter premiere of The Closer [Mondays, TNT, 9/8C] is following a pretty hard act – it’s mid-season cliffhanger, and so we both learn the fate of Detective Sanchez [Raymond Cruz] and witness Deputy Chief Brenda Lee Johnson’s [Kyra Sedgwick] reaction to Fritz’s marriage ultimatum. Even better, there’s an apparent case of suicide that coroner Dr. Morales [Jonathan Del Arco] won’t sign off on – and he’s extorting Deputy Chief Johnson into taking the case [or he’ll take it to another division, making her team look like idiots!].

Tenney, Sternhagen, Sedgwick

The deceased is a recovering drug addict and con man who seems to have gone straight – though that doesn’t jive with the recollection of his ex-wife which is, in turns at odds with the experience [or at least testimony] of his pastor [church in a slating rink!] and cancer-suffering girlfriend. Add in the after effects of the cliff-hanger’s two-pronged dilemma – and the presence of Brenda’s parents [Barry Corbin and Frances Sternhagen], who are visiting for a few days before setting out on a Hawaiian cruise – and you’ve got all the ingredients for a truly odd mix of confusion, misdirection and pathos. The episode, Good Faith, is also notable for actually having scenes that do not require the presence of DC Strong.

Upcoming episodes feature a body found in the trunk of a car, and a suspected rapist/murderer whose lawyer has a track record of successfully defending sex offenders.

As usual, The Closer is written well enough to give us a few moments pause over each ep’s mystery, but it remains most notable for giving us a strong lead character that continues to grow as a person – and as a high-ranking member of the Los Angeles Police Department. Though this is Sedgwick’s show, there are moments for several members of her team as well as J.K. Simmons’ Assistant Chief Pope [who gets some really good stuff in the premiere].

All in all, The Closer hasn’t yet lost a step. It remains one of the best [and most watched] programs on cable television.

Final Grade: B

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Dexter

There was an overwhelming amount of great TV, this year [and, as you’ll see not too much later, an almost equally overwhelming amount of excessively bad TV]. Given the truly amazing amount of quality to be found between the networks and the various cable outlets, I’ve decided to list my favorite fifteen shows of the year.

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This season, CSI [CBS, Thursdays, 9/8C] has been a real rollercoaster ride. It started with the death of Warrick [Gary Dourdan] – followed by a murderer who used dead people to create some very warped art; an unsolved case involving an engaged couple; a killer hypnotist and even the return of Lady Heather [Melinda Clarke]. Along the way, Gil Grissom [William Petersen] has been looking less like the clue sniffer we’ve come to know and more like a man who has just about run out gas.

CRIME SCENE INVESTIGATION

When he reveals to his team that he’s leaving, at the beginning this week’s episode, 19 Down…, it may come as a surprise to his team, but even without all the publicity about the new cast member, we’d have known before they did – and actually, Catherine Willows [Marg Hellgenberger] surprises him by not being surprised.

When what starts off as just another day in Vegas turns into something greatly different – a murder ties into a long imprisoned serial killer – and Grissom gets that intrigued look again. The tie-in is to Nathan Haskell [Bill Irwin – think Jack Coleman’s HRG gone stone bugfrak crazy], who killed at least eight couples before he was caught. Turns out that Haskell is doing a series of closed circuit Q&A sessions with a university class taught by one Dr. Raymond Langston [Laurence Fishburne].

19 Down… is the fall cliffhanger for CSI, so they’ve really shot the works. The pacing is [if you can believe it] even crisper than usual and the way it ties into the season’s prior unsolved mystery is not just clever, it’s very close to genius. Co-Executive Producers Naren Shankar and Carol Mendelsohn have created a terrific puzzle for Grissom and his team and every member of the core cast gets a meaty moment to shine – as when Hodges responds to the news of Grissom’s leaving [for just one example]. Director Kenneth Fink keeps things tight and suspenseful.

Not many weekly series can maintain a high level of quality through nine seasons, and CSI’s ninth season isn’t over yet, but between the announcement of Grissom’s leaving and the introduction of Langston, it would seem likely that the show is going to maintain that high level. It also seems likely that the transition of the series from Grissom’s era into Willows’ era will be a reasonably smooth one. For now, at least, I have to say that this is my favorite fall cliffhanger, so far.

Final Grade: A

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What Dragnet was to Los Angeles, and Naked City was to New York, that’s what M Squad was to Chicago. The hard-boiled cop show starred Lee Marvin, in his first major leading role, as Lt. Frank Ballinger of the so-called M Squad. In Ballinger’s words, M Squad “is a special detail of the Chicago Police; we work on cases when requested by other departments, and when there are special circumstances.” Most of the show’s one hundred and seventeen episodes dealt with homicides. The Timeless Media Group collection of the complete series marks the first time the series has been released on any form of home video.

MSquad_Box Art

Although Lt. Ballinger had occasional support from various fellow detectives, the only other series regular was his immediate superior, Captain Grey [Paul Newlan] – as hands-on a boss as any cop could hope for. Ballinger’s cases ranged from deaths caused during escape from a robbery [caused by a cleverly disguised sailor hoping to get away when his ship sailed], to the case of a married businessman killed in an apparent robbery after breaking up with his mistress [the dead man’s wife was a friend of Captain Grey’s wife].

The series ran for four seasons and, beginning with the second, featured a theme composed by Count Basie. For all four seasons, the episodes’ scores were composed by jazz greats like Benny Carter and John Williams [who went on to score Star Wars]. Coupled with the stark black & white, noir-ish cinematography, M Squad was an effective combination of sizzle and substance.

Marvin’s Ballinger could be as brusque as Jack Webb’s Joe Friday, but was a bit on the empathetic side when dealing the victims of the crimes he investigated. He could be fooled by a pretty face, but not for long – and he had a very Sam Spade-like attitude to female criminals. He was smart and intuitive, and as perfectly capable of taking down bad guys with his fists as with a gun.

I could bore you with a list of guest stars who went on to bigger – if not necessarily better – things [among the ones listed on the box are two future Star Trek stars, a vigilante and a policewoman-to-be] but I’ll leave the fun of spotting them to you.

As for the quality of the set, it varies. Originally, Timeless planned a best-of set because they didn’t have access to all one hundred and seventeen episodes. The missing episodes were supplied by fans, making this a unique achievement. The result is something rare – a complete set of episodes from a groundbreaking, fifty-year old series that led the way in writing, direction, performance, production values and scoring.

There are no features included with the set – other than the liner notes that are duplicated on the back on of the slipcase and the interior foldout box, and a CD of Count Basie’s theme and jazz selections from the show’s score.

The variable quality of the episodes keeps the set from getting an A+ for content, but, as all episodes are definitely watchable, it doesn’t lose much.

Final Grade: A

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It’s hard to believe, but Cold Case [CBS, Sundays, 9/8C] has been setting the ghosts of the past to rest for over five years. The sixth season premiere, Glory Days, follows the familiar pattern – after we see the final moments of Michael “Bad Moon” McShane [Aaron Hill] in 1973, a piece of evidence is discovered in the present that suggests he was killed much later than was previously thought. Enter Lilly Rush [Kathryn Morris]  and her team of cold case investigators.

Cold Case, S6

“Bad Moon” was a football star who disappeared the night before the championship game. The investigation puts together a picture of how his last few days were spent by questioning various of his friends, coaches, tutors and such. There’s his teammate, Tom “The Breeze” Bernard [B.J. Britt/Clifton Powell], who lost his scholarship because McShane reported his ill health; Steve Pratt [Sean O’Bryan/James Karen], the alumnus who recruited McShane [and treated him to dinner once a week – and gave him extra spending money for books]; Assistant Coach Walters [Tom Griffin/M.C. Gainey], who was aware that the team’s unofficial, off-campus doctor was giving them steroids, R. Boretski [Justice Leak/James Read], McShane’s tutor, who, McShane threatened to reveal was cheating on class work for members of the football team.

With lots of suspects, there are lots of stories – some of them touching, some funny, and some false. The procedures through which the team solves the case may be familiar but the variations provided each new set of circumstances and suspects allow for enough variety to keep the series feeling fresh – especially when each ep is anchored by music of the period [here it’s by BTO and Steely Dan].

Another ep furnished by CBS, Wednesday’s Women, the third ep of the new season, deals with a group of women who drove from Philadelphia to Mississippi to help run Freedom schools under the cover selling Tupperware®. In it, what was thought to be a hit and run turns out to have far greater implications. The ep’s guest cast includes Olympia Dukakis and Carl Lumbly, among others.

The Cold Case ensemble [Morris, John Finn, Thom Barry, Jeremy Ratchford, Danny Pino and Tracie Thoms] is reliably together and between the regular cast, the guest stars and the consistent writing, the show remains one of the more watchable procedurals around.

Final Grade: B

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