Tag Archives: Paramount Pictures

Indiana Jones and the Kingdom of the Crystal Skull – Indy Can Still Take Us on a Wild Ride!

Indiana Jones is back – and it’s a Very Good Thing!

Indy has faced many obstacles in his life, but never before has he been considered a potential threat to national security! And let me tell you, it really bugs his @$$!

The problem arises because of a [former] friend who helps a covert Soviet team steal something highly magnetic from Area 51. The consequences of that incident even lead to Indy being put on “on indefinite leave of absence” from his teaching job – the timing of which is conveniently perfect for him to meet a Brando/Dean/Fonzie wannabe named Mutt Williams [Shia LeBeouf], who says his mother told him that Indy could help them. Indy is further persuaded by the KGB goons who try to grab him and Mutt [which leads to the revelation of one of the most poorly kept secrets in the history of cinema…].

It seems that an old colleague of Indy, “Ox” Oxley [John Hurt] may have found the location of the legendary lost city of gold – and the Commies want something that should also be there – something that ties in with the object they nabbed in the film’s opening. “Mother” turns out to the former Marion Ravenwood [Karen Allen] is as feisty as ever [if she could have duped her guards into a drinking contest, she might well have escaped].

Now we come to the key to the whole film – the Crystal Skull of Akator. Spalko believes it’s one of thirteen and when united with its fellows will give the Soviets the ultimate weapon. She’s sure of this, because it speaks to her. Apparently she’s a bit on psychic side…

Crystal Skulls Cast

Indiana Jones and the Kingdom of the Crystal Skull is the kind of adventure that many of us would kill to have, if only they didn’t happen in some wonderful parallel universe that looks like our own but has as much magic as science. There are chases [and we never even think to question how there could be two parallel roads next to each other in the Mayan jungle]; sword fights on jeep hoods [see parallel roads], and strange and wondrous artifacts, like the exquisitely beautiful, if oddly shaped crystal skull. There’s even a lost city [and a pretty cool explanation for why our modern satellites have never encountered it].

Every Indy film is very much of the time in which it takes place: Raiders and Last Crusade, set in the forties, dealt with Nazis, as well as supernatural artifacts; Temple of Doom [set in the late thirties] was a pulpy adventure that revolved around a Kali death cult. So it’s no surprise that Crystal Skull uses the trappings of the cold war as the basis for its story [and riffs on the best known film cold war allegories for its trippy conclusion].

Even when it’s dealing with exposition [as in most of the middle act], Indy 4 entertains by making the “Basil Exposition” character [John Hurt’s Oxley] interesting – and tossing in some action or surprise every time things look to be slowing too much. Many of the best allusions to the previous films happen here – watch for a great gag with a snake, in particular.

Though there are some significant CG effects used in the film, a lot of the best stunts are practical, and Ford can be seen, clearly, doing more than enough of Indy’s stunts to make us believe it’s still him when a stuntman takes over. Even little things [like the over-the-top meaty sounds of the fist fights] perfectly recapture the feel of the previous films.

Indiana Jones and the Kingdom of the Crystal Skull is much better than I was expecting [and I was expecting a lot!]. Steven Spielberg does what he does best – marrying action and adventure to interesting characters. He keeps the film moving and provides some wonderful sights along the way.

If you want to put it in terms of the entire series, Crystal Skull fits in, quality-wise, at about the same place as Last Crusade. The two films even deal with daddy issues, so that’s a pretty natural conclusion.

Final Grade: A-

Stop-Loss: Character Drama Makes Point About Military Legal Loophole!

Stop-Loss Review EclipseMagazine.com Movies

It’s been awhile since Kimberly Peirce directed a feature film [that would be her first, 1999’s Boys don’t Cry], but she’s back with another character driven drama that is important for more than just its characters – Stop-Loss.

Continue reading Stop-Loss: Character Drama Makes Point About Military Legal Loophole!

The Spiderwick Chronicles Enchants – And Scares… A Little!

The Spiderwick Chronicles Review EclipseMagazine.com Movies 

In this age of bowdlerized fairytales and Political Correctness, it would seem that most venues for storytelling are more concerned with not offending someone than actually telling a story. The writers of the five volumes of The Spiderwick Chronicles created their stories with a refreshingly dark edge – something that kids of all ages immediately gravitated toward. It is my great pleasure to tell you that the makers of the film adaptation have not watered the books down. Any changes [and there are a few] are solely to bring the books’ dark enchantment to the big screen.

Continue reading The Spiderwick Chronicles Enchants – And Scares… A Little!

Cloverfield Gives The Classic Monster Movie A Fresh Spin!

 Cloverfield Review EclipseMagazine.com Movies

It’s a good thing that Cloverfield is only eighty minutes long [not including closing credits] – otherwise I might not have been able to leave the theatre afterward! As it was, I felt like I had been through an actual wringer when the lights came up.

Continue reading Cloverfield Gives The Classic Monster Movie A Fresh Spin!

CBS/Paramount Comes Up With Unique Way to Promote CSI Reruns

CSI Cast

Los Angeles CA, January 16, 2008

As we all know, most shows are currently in reruns until the end of January when new episodes will be trotted out for February Sweeps Weeks. To put themselves ahead in the ratings game, CBS/Paramount has come up with a unique way to draw viewer interest to the reruns currently airing of CSI and has sent around a publicity image titled ‘Behind the Crime Scene: Ten things you didn’t know about this week’s episode of CSI’. This week’s rerun of CSI is a rebroadcast of the episode ‘Go to Hell’, which airs this Thursday, January 19th at 9pm EST on CBS. Above is the publicity image containing the ten things we didn’t know about ‘Go to Hell’. Continue reading CBS/Paramount Comes Up With Unique Way to Promote CSI Reruns