Tag Archives: Lyriq Bent

Nobody Shot at Me: Shoot the Messenger First Look Video!

Shoot the Messenger – (L-R) Detective Kevin Lutz (Lyriq Bent), Simon Olenski (Lucas Bryant), Mary Foster (Alex Kingston) and Daisy Channing (Elyse Levesque) – Photo courtesy of WGN America.

Centering on the complex relationships between crime reporters and the police, “Shoot the Messenger” follows Daisy Channing (Elyse Levesque), a young reporter trying to balance a messy personal life with a burgeoning career. Things begin to go sideways for Daisy when she witnesses a murder she thinks is gang related.

WGN America has released a first look video in which series creator Jennifer Holness and the show’s stars introduce the characters and basic plot.

Shoot the Messenger premieres on Monday, February 26th (10/9C).

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Connection to Murder Trailer: Shoot the Messenger!

Shoot the Messenger – Daisy Channing (Elyse Levesque) and Lucas Bryant (Simon Olenski) – Photo courtesy of WGN America.

WGN America has released a teaser trailer for the limited series, “Shoot the Messenger,” which is slated to premiere early 2018. The eight-part, one-hour series stars Elyse Levesque (“Orphan Black”) as Daisy Channing, Lyriq Bent (“The Book of Negroes”) as Kevin Lutz, Lucas Bryant (“Haven”) as Simon Olenski and Alex Kingston (“Doctor Who,” “ER”) as Mary Foster.

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The Book of Negroes – A Roots For This Century!

the-book-of-negroes DVD

The Book of Negroes is a mini-series adapting the novel by Laurence Hill – a story that follows the remarkable Aminata Diallo from prior to her kidnapping by slavers in Africa, through her time as a slave in South Carolina – owned by two very different types of slave owners, to seeking her freedom in New York, moving with black loyalists to Nova Scotia and thence to Sierra Leone before heading to London to help the abolitionist put a halt to the slave trade.

Summed up in a few words like that, it doesn’t seem like much, but the CBC/BET co-production covers a lot of history through the eyes of a single human being. The device of using a fictional protagonist – through whose eyes we see that history – makes the journey, which could have been perhaps too epic, more personal and thus more relatable.

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