Tag Archives: John Goodman

The Gambler Jams Out!

THE GAMBLER

The Gambler is a remake of the 1974 classic about a man with an addiction to gambling – to the point of endangering his life. In this version, a university professor gets in deep with three very deadly members of the gambling underworld. This version has a unique take on character that, just barely, allows for the possibility of a hopeful (if not necessarily happy) finale.

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SNL Goes Goes for Big Finish to 2013!

Paul Ruddjohn-goodmanJimmy-Fallon

SNL has announced the hosts and musical guests for its final three episodes of 2013: December 7, Paul Rudd/One direction; December 14 – John Goodman/Kings of Leon; December 21 – Jimmy Fallon/Justin Timberlake. That sounds like a pretty big finish to me.

Check out the press release after the jump.

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Trailer: Monsters University Where The Curriculum Is Scaring!

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The new trailer for Disney•Pixar’s Monsters University cleverly plays on recruitment videos for specialized institutions of higher learning before segueing into scenes from the actual movie. Check it out following the jump.

Monsters University opens June 21st.

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Trailer: Monsters, Inc. 3D!

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It’s a big week for cool trailers and the first one for the holiday re-release of Monsters, Inc. in 3D is no exception. The funniest (and scariest) thing about it is that it plays like a collection of best moments from the film – but it barely scratches the surface! Which, of course, is why the film is so loved.

Follow the jump to watch the trailer.

Monsters, Inc. returns to theaters in 3D on December 19th, 2012.

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MOVIE REVIEW: Confessions of a Shopaholic and The Accidental Metaphor!

Even though it was filmed before the global economy went south, Confessions of a Shopaholic is – however accidentally – definitely a metaphor for the recession on a personal level – and Jerry Bruckheimer’s anti-Bruckheimer film [the only explosions are those of an emotional nature] is a solid romantic comedy that nears, but doesn’t quite reach, screwball proportions.

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Rebecca Bloomwood [Isla Fisher] loves to shop. When she shops, the world seems better, brighter somehow. Unfortunately, that feeling wears off and she has to shop again. Her life becomes complicated by a series of events: she loses her job; someone named Derek Smeath [Robert Stanton] is hounding her for payment on one of her twelve credit cards]; and she has to, somehow, feign glee at the bridesmaid dress she must wear to her best friend and roommate’s wedding.

A chance encounter at a hot dog vendor gives her her first lesson in finance and features a “meet cute” with Luke Brandon [Hugh Dancy], who will turn out to be very important in her transformation from credit goose to worthwhile swan. Brandon’s Successful Saving magazine will be Rebecca’s first stop on the journey from unemployment to celebrated columnist for the ultimate fashion magazine, Alette. Surprisingly, she turns out to have a knack for putting financial concepts into metaphors that make the subject fun – boosting Successful Saving’s impact, prestige and [it would seem] circulation.

At first, nothing seems to be able to stop Rebecca from shopping – not even attending Shopaholics Anonymous meetings. Like the money men on Wall Street, who kept spending as indicators grew telling them to stop, Rebecca carries on – until she gets precisely what she deserves in the most inconvenient manner possible. It’s here that the metaphor splinters a bit – because, even as we wait for the Wall Street folks to become responsible, Rebecca does indeed learn her lesson [the hows and whys of which you will not learn here].

There are two main plotlines to Confessions: Rebecca’s having to deal with her finances and the girl-meets-boy, girl-screws-things-up-with-boy, girl-gets-boy plot. For Confessions, the surprises don’t arise from the results as much as they do from the events that take place along the way [as when Rebecca has to decide between a stylish dress for a TV appearance and her bridesmaid’s dress].

The script [by Tracey Jackson, Tim Firth and Kayla Alpert] is light and breezy, for the most part, but knows just when to hit an emotional note. P.J. Hogan’s [Muriel’s Wedding] direction is best described as deft. He has a good instinct not just for laughs, but for secondary and even tertiary bits that support rather than detract from the film – and he gets just the right performances from his cast.

Speaking of the cast: Isla Fisher is marvelous as Rebecca; Hugh Dancy is the second coming of Hugh Grant as Luke, and Krysten Ritter is delightfully odd as Rebecca’s best friend, Suze. John Goodman and Joan Cusack are equally terrific as Rebecca’s supportive parents, and the members of the Shopaholics Anonymous group more than hold up their sections of the film – especially ex-NBA star John Salley’s D. Freak, and Wendy Malik’s [Just Shoot Me] Miss Korch.

Confessions of a Shopaholic may have started out as a standard, if well done, romantic comedy but has become – however inadvertently – a metaphor. It succeeds on both levels. Admirably.

Final Grade: B+

Speed Racer: Brightly Colored Fun!

Speed Racer

Let’s be clear on this – I have never seen any of the Speed Racer anime´ nor have I seen any of the manga, and am barely aware of vintage merchandizing. Now that we have that out of the way, I have to say that, as a Speed Racer virgin, the brightly-colored film by the Wachowski Brothers is a lot of fun.

Emile Hirsch rocks as the title character, a boy in the process of becoming a man – and a believer in fair play when it appears that there hasn’t been any in professional racer since, well, ever. His rock solid family [John Goodman as Pops Racer, Susan Sarandon as Mom Racer and Paulie Litt as younger brother Spritel], pet chimp, Chim Chim and girlfriend Trixie [a very anime´ looking Christina Ricci] give him the courage to turn down an offer to sign with the top team – at which point he learns of the real nature of his beloved sport. From there it’s only a matter of winning a couple of races [against an entire field of cheaters] and bringing down the Royalton Racing Team [the team he turned down]. Nothing to it – not!

While there’s not a lot of plot to Speed Racer, there’s almost always lots going on as Speed – with the help of the mysterious Racer X [sure it’s not hard to make the connection between him and Speed’s older brother, who is supposed to have died, but it’s a convention – just like nobody recognizing Superman behind Clark Kent’s specs. Deal with it and move on!]. The races are beautifully staged exercises in gladiatorial driving; the fight sequences really capturing the odd, freeze-frame style of anime´ and manga; the cast is clearly having more fun than should be legal, and the whole thing just feels good. The only real flaw in the film is that it’s just a wee bit too talky – but that hardly matters.

For a movie with a candy-colored world [the bright, shiny color of fresh hard candy – not the pastels of rock candy], the emphasis is on the kind of grounding that a good family provides and the kind of justice that is most deserved – the justice of the untouchable evil being brought down by one man with a mission. This may be my first encounter with Speed Racer but it won’t be my last.

Final Grade: A