I can imagine the pitch for Baby Driver, ‘It’s a coming of age story about this young guy who’s the best getaway car driver ever – because he has tinnitus and listens to music to drown it out. When he falls in love with a diner waitress, he wants out.’
When you strip Baby Driver down to its most basic, that’s the essence of it. That’s what it comes down to – and it works beautifully.
When Edgar Wright left Ant-Man over creative differences, he segued directly into Baby Driver – his long-gestating take on the ‘one last job’ crime flick.
The trailer for Baby Driver suggests that Wright really loves crime/heist flicks. Baby (Ansel Elgort) is the fresh-faced driver on jobs planned by the coolly ruthless Doc (Kevin Spacey). Each of Doc’s jobs involves a different crew – with Baby being the only constant.
Then Baby falls in love with a waitress named Debora (Lily James) and grudgingly takes one last job to fund getting away from it all (all being Doc).