What Dragnet was to Los Angeles, and Naked City was to New York, that’s what M Squad was to Chicago. The hard-boiled cop show starred Lee Marvin, in his first major leading role, as Lt. Frank Ballinger of the so-called M Squad. In Ballinger’s words, M Squad “is a special detail of the Chicago Police; we work on cases when requested by other departments, and when there are special circumstances.” Most of the show’s one hundred and seventeen episodes dealt with homicides. The Timeless Media Group collection of the complete series marks the first time the series has been released on any form of home video.
Although Lt. Ballinger had occasional support from various fellow detectives, the only other series regular was his immediate superior, Captain Grey [Paul Newlan] – as hands-on a boss as any cop could hope for. Ballinger’s cases ranged from deaths caused during escape from a robbery [caused by a cleverly disguised sailor hoping to get away when his ship sailed], to the case of a married businessman killed in an apparent robbery after breaking up with his mistress [the dead man’s wife was a friend of Captain Grey’s wife].
The series ran for four seasons and, beginning with the second, featured a theme composed by Count Basie. For all four seasons, the episodes’ scores were composed by jazz greats like Benny Carter and John Williams [who went on to score Star Wars]. Coupled with the stark black & white, noir-ish cinematography, M Squad was an effective combination of sizzle and substance.
Marvin’s Ballinger could be as brusque as Jack Webb’s Joe Friday, but was a bit on the empathetic side when dealing the victims of the crimes he investigated. He could be fooled by a pretty face, but not for long – and he had a very Sam Spade-like attitude to female criminals. He was smart and intuitive, and as perfectly capable of taking down bad guys with his fists as with a gun.
I could bore you with a list of guest stars who went on to bigger – if not necessarily better – things [among the ones listed on the box are two future Star Trek stars, a vigilante and a policewoman-to-be] but I’ll leave the fun of spotting them to you.
As for the quality of the set, it varies. Originally, Timeless planned a best-of set because they didn’t have access to all one hundred and seventeen episodes. The missing episodes were supplied by fans, making this a unique achievement. The result is something rare – a complete set of episodes from a groundbreaking, fifty-year old series that led the way in writing, direction, performance, production values and scoring.
There are no features included with the set – other than the liner notes that are duplicated on the back on of the slipcase and the interior foldout box, and a CD of Count Basie’s theme and jazz selections from the show’s score.
The variable quality of the episodes keeps the set from getting an A+ for content, but, as all episodes are definitely watchable, it doesn’t lose much.
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