On Friday, I had the opportunity to take part in a teleconference with Starbuck, herself – Katee Sackhoff, of the Peabody Award-winning Battlestar Galactica. She talked about her reaction to the mind-bending prophecy that Starbuck was a harbinger of doom; which is tougher – love scenes, or fight scenes; who she thinks Starbuck should wind up with [if indeed she wainds up with anyone…]; how she’d like the series to end for Starbuck, and much more.
Battlestar Galactica returns to the Sci Fi Channel Friday at 10/9C.
Note: There were some reception problems, so there will be an occasional word or phrase missing [replaced with the word unintelligible].
Tin Man is the Sci Fi Channel’s re-imagining of a classic work of fiction and its film adaptation. It’s darker, livelier and definitely entertaining, but it’s not your great-great grandparents’ Wizard of Oz.
Hey, it’s another week of America’s favorite Karaoke show. It’s about 8:30 now, so I’ll give my DVR another 10 minutes before I start my weekly report. But I can tell you it’s Dolly Parton night so, it’ll be a miracle if I’ll make it through tonight’s installment. But mercifully, it’s only an hour episode, so I should be able to speed through this in about 20 minutes. While I wait, I’m going to take a Super Mario Galaxy break, I’m stuck on a level that is starting to frustrate me.
Ok, it’s now time to watch the show. First let me say, I just hate these star weeks, there’s something wrong when you have these major stars willing to sell their souls to be on Idol. Remember last year when one of them – I forget who said Sanjaya was a powerhouse? Ish. So there’s no point in watching Dolly talk about how wonderful everyone is.
First up is my favorite Idol of this year’s crop – Brooke White. I don’t know any Dolly Parton songs, so I’m not even going to try and guess what this is. But as Randy would say Brooke is laying it down. Brooke is definitely the dark horse in this competition. She has a good – not great voice, but she’s been really smart in her song choices. She just has such a generic look and personality. Randy thought it was ok, who cares what Paula says, and Simon hated it.
In 2004, during the last US Presidential election, Canadian broadcaster CBC aired “H2O”, an edgy, well-written and compelling drama about the sale of water to an increasingly thirsty USA, which ended shockingly with the annexation of Canada by its neighbour. Having attracted an array of awards, including the 2005 Monte Carlo TV Festival award for best actor in a mini-series for Paul Gross, who stars as Tom McLaughlin, the last Prime Minister of Canada, a sequel was always on the cards.
That sequel is “The Trojan Horse”, airing in two parts on CBC on 30 March and 6 April at 8.00pm EST – while once again the world watches as the US Presidential elections roll on, blurring the lines between the real and the fictional dramas. The story of “The Trojan Horse” picks up at the point where Canada has dissolved its independence and become part of the US. Couldn’t happen? Well, the story behind “H2O” has a basis in reality and is, the producers say, as much a warning as a drama.
Hey, I’m back with another round of Idol Watch – sorry I don’t have a catchy original name for this. Last week I attended a screening and got home late, so I wasn’t in the mood to stay up until 2am to discuss another round of bad karaoke – especially after I saw that they were going to butcher the Beatles for a 2nd week in a row. As I write this, we’re about 10 minutes into the show. I have to give it another 40 minutes on my Tivo before I can actually turn it on and start watching. What to do during this down period? I think I’m going to play a little of the new Halo 3 Heroic Maps for an hour.
Ok, I played a little Halo, remembered why I hate that game. But I did get my kill on with the Swords until some annoying kid came on and ruined the match for the rest of us. Now I’m primed and ready to watch Idol. It’s funny, I hate being in DC because my Idol tickets came through last week for tonight’s taping! So if things were different I would be blogging from the show itself. I’m waiting for them to announce tonight’s theme. Ah, it’s "the year they were born."
Those crazy, crazy folks at Starz network is airing Grindhouse next Monday, March 31st in it’s complete entirety. So if you missed it in the theaters before the Weinstein’s split it and didn’t get a chance to catch the bastardized DVDs this is a great opportunity to catch it uncut and unedited. My only question is why is Starz running this on a Monday? What are they thinking? This should be a Saturday night premiere. I’m going to have to Tivo it because this is a “school” night.
Starz presents Grindhouse, Quentin Tarantino and Robert Rodriguez’s homage to exploitation B-movie thrillers Monday, March 31 at 9:00 p.m. Over three hours, the two feature-length films, turned into a double-bill, complete with fake trailers, missing scenes and bad film stock will be shown in its entirety, the way it was originally screened in movie theaters. In Robert Rodriguez’s Planet Terror, a small-town deals with an outbreak of murderous, infected people called “sickos,” and a gun-legged stripper named Cherry (Rose McGowan) and her martial arts-wielding boyfriend (Freddy Rodriguez) take on the zombie army. Quentin Tarantino’s Death Proof has a psycho named Stuntman Mike (Kurt Russell) stalking and killing beautiful women with his ‘70s muscle car.
Grindhouse features fake movie trailers directed by Rodriguez, Rob Zombie (Halloween, The Devil’s Rejects), Edgar Wright (Shaun of the Dead) and Eli Roth (Hostel, Hostel: Part II).
Fans of the CW’s hit series SUPERNATURAL must have thought they were the latest victims of The Twilight Zone since good news concerning this gem isn’t usually easy to come by. After all, the little-show-that-could seems to have worse luck than its own Winchester brothers when it comes to competition and media exposure. The CW unleashed some of that infamous bad luck when it decided to juggle its shows during the writer’s strike. It unveiled a schedule that would be entirely void of the series from the time it aired its last pre-strike episode on February 28 until its post-strike return on April 24. Fans reacted with a barrage of postcards, e-mails, and letters asking “Where’s Supernatural?” making one wonder exactly how much this affected the decision to return the show to the schedule a month earlier than expected.
And if that wasn’t enough to give fans hope, The CW did the unthinkable when it announced renewal for Season 4, a full two months ahead of the May Upfronts, where all networks outline their Fall plans. Adding further icing to this cake of exhilaration, Amazon posted a planned release date for the third Supernatural tie-in novel, “Bone Key”. In light of all the good news, fans were indeed busy pinching themselves to verify they weren’t dreaming.
We recently caught up with author Keith R.A. DeCandido, who has already made his mark in media universes such as Star Trek, Buffy the Vampire Slayer, World of Warcraft, Spider-man and Resident Evil, to name a few. The first Supernatural novel, ”Nevermore”, crafted a two-in-one adventure for demon-hunting brothers Sam and Dean Winchester. In the story, the brothers visit a friend in the Bronx to rid him of a house ghost, while also investigating a killer basing his gruesome crimes on the writings of Edgar Allen Poe. Following the success of “Nevermore”, Keith has been working on the new Supernatural novel, “Bone Key.” The announcement of a fourth season has certainly given Keith a reason to celebrate as it will assist the novel in sales — after all, it is much easier to promote a tie-in novel for an existing series than a canceled one.
The Easter eggs were all lined up, sitting there, temptingly available. How could I resist indulging in the sweet, intense, dramatic flavours? Episodes 10, 11 and 12 of Torchwood’s second series have all aired in the past three days on BBC2 and BBC3, leaving me with the feeling that, as with the Easter eggs, I should have waited, should have savoured this big box of goodies, rather than devouring them because they were on offer. Maybe I should just have given up Torchwood for Lent, but I’ve never had that much will-power.
This year, Torchwood has almost been a different show. A much much better show than it was in its first series (though the first year’s highs, such as Small Worlds and Captain Jack Harkness, are right up there with the best of them). It can still be annoyingly variable in tone, occasionally inconsistent in writing quality and some of the CGI has demanded a greater than average suspension of disbelief. But overall the improvement in stories, in pace, in drama, in intensity, in emotional connection has been astonishing. The team are finally behaving like a coherent group who actually like each other and are competent and professional (in other words, they didn’t shoot each other or kill the boss). Also helping the mix is Jack’s happier persona, much more the Doctor Who Jack after finding his “right kind of doctor”, which brings a lighter feel to the show, and frees Jack to pursue a very hot and very sweet relationship with Ianto. All-in-all, Torchwood‘s second outing has put it in the “must-see TV” category, with ratings figures that reflect this success.
The range of storylines has been amazing, as befits a science fiction show with the entire rift at its disposal and a flexible format that allows for both the ultra-dark and ultra-daft. From life- and death-changing experiences such as Gwen’s marriage and Owen’s zombification to alien whales and memory-stealing, the Torchwood writers have not shied away from the bold such as From Out of the Rain, which was more atmosphere than plot, or the hilarious, such as Gwen waking up nine months pregnant on the morning of her wedding.
Where the writers have also scored this year has been in the “adult” content, both in language and actions, which have felt much more seamlessly integrated into the stories and far less gratuitous.
Episode 12 saw the long-awaited backstory of how Jack took over Torchwood 3 and put the team together, taking the viewer from Victorian England and the kick-ass women of the early days of the organisation to a nightmarish Guantanamo-like UNIT facility that was almost Toshiko’s permanent home. And the cliffhanger leading to the last episode – Captain John reappearing to threaten Jack and cruelly tease him with images of his missing brother – was inspired, making “Fragments” possibly the best episode yet.
Keeping us on tenterhooks until 4 April for Torchwood’s series finale (Exit Wounds) is harsh. The BBC got us hooked on the endorphin-enhancing delight that is this show and are now playing the tease by keeping that last Easter egg – the Belgian chocolate one with the icing – just out of reach. Judging from what has gone before, it will be well worth the wait.
Torchwoodairs on BBC2 on Fridays at 9.00pm and on BBC America on Saturdays at 9.00pm EST.
Ah, it’s another week of the train wreck that is American Idol. Tonight’s two hour installment features the top 12 doing Karaoke to the Beatles. The night begins with S’yesha Mercado – hey a black woman is in this contest, who knew? In the past several weeks I turned it off 3 or 4 blonds in. She does an ok version of Got To Get You Into My Life. Randulla thought it started pitchy but worked it out, while Simon liked it more. I thought it was ok for a Karaoke performance. Continue reading American Idol Top 12 Butcher Beatles Night→
Probably the only reason to watch The History Channel’s new reality series, Ax Men [Sundays, 10/9C] is because of that same part of the psyche that makes some people slow down to get a really good look at a car accident. Beyond the possibility of seeing someone maimed or killed, however, the series is a bleak, ponderous and not particularly interesting piece of work.